by Payton McCarty-Simas
Consider the parallels between Suzanne Maretto and Michael Corleone as Gus Van Sant’s sultry satire turns 30.
by Paul Weedon
Synonymous with film scoring for over four decades, Abbey Road Studios’ legendary Studio One has just undergone a refurb. But what actually goes on behind closed doors?
by Leonardo Goi
Paolo Sorrentino’s Fellini-esque journey through modern-day Rome transforms the Eternal City into a living, breathing character of unparalleled grandeur.
by Yasmine Kandil
A socially awkward young boy discovers alien life in Pixar’s sweet new intergalactic adventure.
by Adam Woodward
Brad Pitt is in scintillating form in this shameless PR exercise, which also happens to be one of the year’s most purely entertaining cinematic experiences.
by Yuki Yoshikawa, Pear Nuallak
In collaboration with the Queer East Film Festival, our second pair from the Emerging Critics cohort offer their thoughts on this year’s programme.
by Jess Furseth
This year marks the 30th anniversary of Jesse and Céline meeting in Vienna with no phones, no photos, and no future. Richard Linklater’s romantic comedy about their intense attention has never looked more attractive.
On Truth & Movies this week, we discuss the live action remake How To Train Your Dragon, and Daisy-May Hudson’s powerful fictional feature debut, Lollipop. Finally, for film club, we turn our attention to Ken Loach’s Ladybird Ladybird.
by David Jenkins
A gang of small-town drug dealing gym rats are set upon by a murderous stranger in this satisfying Welsh genre piece.
by Katherine McLaughlin
The ambiguous and sometimes tragic nature of motherhood is the subject of writer/director Daisy-May Hudson’s forceful debut, Lollipop.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
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Adjusts the font size for improved readability.
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