Latest | Little White Lies

Latest

A person with curly hair seen through a window in a dark room, their face partially illuminated by a source of light.
Festivals

Susie Searches – first-look review

by Ryan Coleman

Sophie Kargman attempts to expand her 2020 short film into a feature-length picture, with mixed results.
Smoky industrial chimneys emitting flames against a grey winter sky, with a lone person walking on a snowy beach in the foreground.
Festivals

How to Blow Up a Pipeline – first-look review

by Mark Asch

A group of activists take radical action against climate change in Daniel Goldhaber’s eco-thriller.
A man in a suit holding a vintage movie camera on a busy city street.
In Praise Of

Films to last a lifetime – RIP Jean-Luc Godard

by David Jenkins

In memory of one of cinema’s most formidable and pathfinding talents, who has died at the age of 91.
Two people relaxing in an outdoor swimming pool with a wooded background.
Festivals

My Policeman – first-look review

by David Jenkins

This compelling, queer-edged melodrama starring Harry Styles and Emma Corrin charts the fall-out of impossible passions.
A woman with short blonde hair sitting in a vehicle, with a thoughtful expression on her face.
Festivals

Causeway – first-look review

by Hannah Strong

Jennifer Lawrence plays an army veteran trying to adapt to civilian life in Lila Neugebauer’s understated feature debut.
A well-dressed man and woman sitting at a table, smiling and enjoying a meal together in a cosy, dimly-lit restaurant setting.
Festivals

The Fabelmans – first-look review

by Mark Asch

This bittersweet rummage through the Spielberg family album sees the maestro deliver a late-career masterwork.
A man and a woman seated in a wooden boat in a lush, green forest.
Review

The Score

by Natasha Jagger

Writer/​director Malachi Smyth’s feature debut is a musical heist film that struggles to strike the right chord.

3
Anticipation
2
Enjoyment
2
In Retrospect
Two men visible in rear-view mirror of car interior.
Festivals

No Bears – first-look review

by Rafa Sales Ross

Jafar Panahi plays himself in this lovingly-crafted autofiction that centers on two pairs of lovers.
A person lying on a dark surface, eyes closed, with a blue cloth covering them.
Festivals

The Listener – first-look review

by Hannah Strong

Tessa Thompson plays a helpline volunteer on her final shift in Steve Buscemi’s sensitive drama.
Woman with curled blonde hair wearing a black top and white trousers, seated on a red sofa with bookshelves in the background.
Festivals

Blonde – first-look review

by Leila Latif

Andrew Dominik’s adaptation of Joyce Carol Oates’ behemoth Marilyn Monroe novel is a surreal, anarchic take on celebrity and womanhood.