Survivors of the church reclaim their stories in… | Little White Lies

Incoming

Sur­vivors of the church reclaim their sto­ries in the Pro­ces­sion trailer

26 Oct 2021

Words by Charles Bramesco

Young boy wearing white choir robe, serious expression, stained glass window in background.
Young boy wearing white choir robe, serious expression, stained glass window in background.
The new doc­u­men­tary from Robert Greene uses dra­mat­ic reen­act­ment to process trauma.

In the state of Mis­souri, over a course of decades, hun­dreds of priests in the Catholic church abused vul­ner­a­ble young men par­tic­i­pat­ing in the faith as altar boys. Some of these cas­es have con­clud­ed with sen­tences, but many oth­ers remain in a legal lim­bo, and count­less more will nev­er be tried.

Robert Greenes new doc­u­men­tary Pro­ces­sion trains its focus on this cul­ture of insti­tu­tion­al rot and makes a bold, inno­v­a­tive effort to find some per­son­al jus­tice for those affect­ed by it. The film chron­i­cles the director’s close col­lab­o­ra­tion with six men – Joe Eldred, Mike Fore­man, Ed Gav­a­gan, Dan Lau­rine, Michael San­dridge, and Tom Viviano – as they write and pro­duce short films styl­iz­ing their mem­o­ries of these dif­fi­cult experiences.

In keep­ing with the meth­ods of Greene’s oth­er works, the tech­nique employs the arti­fice of cin­e­ma in search of deep­er emo­tion­al truth, an approach evi­dent in this instance with the brief flash­es of sur­re­al­ism in the short films. In one strik­ing moment, a priest’s eyes glow green with men­ace, speak­ing more close­ly to how the par­tic­i­pants in this exer­cise remem­ber things hap­pen­ing than some objec­tive reality.

But the film also spends a lot of time on the process itself, not just the results; see­ing these men find kin­dred spir­its in one anoth­er, shar­ing pri­vate feel­ings to which no one else can ful­ly relate, is just as cru­cial to the over­all project of heal­ing. As the par­tic­i­pants act in each other’s films, they con­front shame and repres­sion that’s been sim­mer­ing for years, and accept that it doesn’t have to define the entire­ty of their lives.

With glow­ing reviews from Tel­luride and its con­tro­ver­sial hot-but­ton sub­ject mat­ter, this could very well be Netflix’s big bet for doc­u­men­tary-relat­ed awards, so expect to hear much more about it as 2021 winds down. Har­row­ing, intel­li­gent, and bound­less­ly empa­thet­ic, it’ll deserve all the recog­ni­tion it gets.

Pro­ces­sion comes to cin­e­mas in the US in ear­ly Novem­ber, and then Net­flix on 19 November.

You might like