Martin Scorsese is tackling the western genre… | Little White Lies

Incoming

Mar­tin Scors­ese is tack­ling the west­ern genre with his next film

18 Feb 2020

Words by Charles Bramesco

Two men, one older with glasses, one younger, reviewing documents together.
Two men, one older with glasses, one younger, reviewing documents together.
The director’s forth­com­ing Killers of the Flower Moon is final­ly tak­ing shape.

Mar­tin Scors­ese lives rent-free in the heads of his many detrac­tors, as the lat­est wave of bone­head­ed tweets about how the man keeps re-mak­ing the same movie have made clear. Every­one with all their brain-lobes plugged in knows that he’s dab­bled in the musi­cal, melo­dra­ma, road pic­ture and many oth­er gen­res. But this is of lit­tle mat­ter to Mar­ty him­self; he’s off busy­ing him­self with the next project.

Inci­den­tal­ly, it will pro­vide even more proof of his ver­sa­til­i­ty and range, accord­ing to a reveal­ing new inter­view with Cahiers du Ciné­ma and relayed by the folks at Pre­mière. Scors­ese will fol­low up the gang­ster movie to end all gang­ster movies by blaz­ing a path for the fron­tier in his very first west­ern in a career span­ning more than half of a century.

Scors­ese begins the mon­ey quote by affirm­ing that yes, Killers of the Flower Moon will indeed be a prop­er oater with all the horse-ridin’ and gun-slin­gin’ and Amer­i­can-guilt-nego­ti­atin’ that the genre implies:

It hap­pened in 1921 – 1922 in Okla­homa. They are cer­tain­ly cow­boys, but they have cars and also hors­es. The film is main­ly about the Osage, an Indi­an tribe that was giv­en hor­ri­ble ter­ri­to­ry, which they loved because they said to them­selves that Whites would nev­er be inter­est­ed in it. 

Then we dis­cov­ered oil there and, for about ten years, the Osage became the rich­est peo­ple in the world, per capi­ta. Then, as with the Yukon and the Col­orado min­ing regions, the vul­tures dis­em­bark, the White man, the Euro­pean arrives, and all was lost. There, the under­world had such con­trol over every­thing that you were more like­ly to go to jail for killing a dog than for killing an Indian.”

Scors­ese goes on to add that while the film will reunite him with favored col­lab­o­ra­tor Leonar­do DiCaprio (the leader of the new­ly formed FBI, sent in to put the kibosh on the whole­sale slaugh­ter of the Osage), it will also fea­ture a return­ing Robert De Niro as William Hale, the cul­prit behind many of the killings. He continues:

The rest will be Native Amer­i­can actors. It’s so inter­est­ing to think about the men­tal­i­ty that leads us to this. The his­to­ry of civ­i­liza­tion goes back to Mesopotamia. The Hit­tites are invad­ed by anoth­er peo­ple, they dis­ap­pear, and lat­er it is said that they have been assim­i­lat­ed or, rather, absorbed. It is fas­ci­nat­ing to see this men­tal­i­ty which is repro­duced in oth­er cul­tures, through two world wars. And which is there­fore time­less, I think. Final­ly, this is the film that we are going to try to make.”

All of which sounds extreme­ly promis­ing. Our pals at The Film Stage have not­ed that prin­ci­pal pho­tog­ra­phy will get under­way next year out in the plains of Okla­homa, the largest-scaled pro­duc­tion that the state has ever seen. They also add that Scorsese’s cin­em­tao­g­ra­ph­er Rodri­go Pri­eto will be back, along with reg­u­lar edi­tor Thel­ma Schoonmaker.

Killers of the Flower Moon is already shap­ing up to be be one of the biggest releas­es of 2021. And, god will­ing, we’ll get a set pho­to of Scors­ese in a cow­boy hat before long.

You might like