Kristin Scott Thomas set to make directorial… | Little White Lies

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Kristin Scott Thomas set to make direc­to­r­i­al debut with The Sea Change

06 Feb 2017

Words by Dan Einav

A woman with mid-length brown hair, wearing a green top, gazing at the camera and smiling.
A woman with mid-length brown hair, wearing a green top, gazing at the camera and smiling.
She’s adapt­ing Eliz­a­beth Jane Howard’s roman­tic dra­ma novel.

Three years can be a long time in the film world. Back in 2014, Kristin Scott Thomas announced that she’d become dis­en­chant­ed with the indus­try and with direc­tors who cast her as a sort of weight to their oth­er­wise flim­sy pro­duc­tion”. Now pro­duc­tion com­pa­ny Rock­et Sci­ence has revealed that the British actor is set to make a film on her own terms, with her direc­to­r­i­al debut The Sea Change on the way.

An adap­ta­tion of Eliz­a­beth Jane Howard’s 1959 roman­tic dra­ma nov­el of the same name, the film is being billed as an study of a mar­riage in tur­moil. The sto­ry tells of Lil­lian and Emmanuel, a seem­ing­ly suc­cess­ful cou­ple who reeval­u­ate their rela­tion­ship when they find them­selves part of a group who meet on a Greek island. Scott Thomas will take on the role of Lil­lian with Mark Strong report­ed­ly in nego­ti­a­tions to play her on-screen hus­band. Howard’s text will be trans­lat­ed by play­wright Rebec­ca Lenkiewicz, who impressed with her work on Pawel Pawlikowski’s Ida.

In a recent state­ment, Scott Thomas reveals that it was the late film­mak­er Syd­ney Pol­lack (her direc­tor on 1999’s Ran­dom Hearts) who first encour­aged her to con­sid­er direct­ing: “[Syd­ney] told me that actors are nat­u­ral­ly good film­mak­ers and I want to make a film to con­tin­ue my tra­jec­to­ry as a sto­ry­teller.” She goes on to explain why she chose Howard’s nov­el for her direc­to­r­i­al debut:

I first read this nov­el 40 years ago. It was a beau­ti­ful­ly com­plex sto­ry of four peo­ple of dif­fer­ent ages try­ing to fig­ure out what to do with the cards life had dealt them. Its mul­ti­lay­ered and nuanced approach meant that each time I re-read it over the course of my life I iden­ti­fied with dif­fer­ent char­ac­ters – and felt that this would be the ide­al premise for a film. Rebecca’s script per­fect­ly cap­tures the novel’s theme of explor­ing how and why we love.”

Film­ing is sched­uled to begin lat­er this year. We’re hop­ing Scott Thomas can make as strong an impres­sion behind the cam­era as she has done in front of it for much of her glit­ter­ing career.

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