Bill Nighy will lead an English-language… | Little White Lies

Incoming

Bill Nighy will lead an Eng­lish-lan­guage rework­ing of Aki­ra Kurosawa’s Ikiru

15 Oct 2020

Words by Charles Bramesco

An elderly man sitting on a bench, wearing a hat and coat, in a snowy outdoor setting with a wooden fence in the background.
An elderly man sitting on a bench, wearing a hat and coat, in a snowy outdoor setting with a wooden fence in the background.
The new­ly-announced update will be script­ed by none oth­er than Kazuo Ishiguro.

Smack dab in the prime of his career, the peer­less Aki­ra Kuro­sawa made the ele­giac sort of mas­ter­piece most artists save for their twi­light years. Ikiru fol­lows aging bureau­crat Kan­ji (played indeli­bly by Takashi Shimu­ra) as he learns that he has life-threat­en­ing can­cer on the eve of his retire­ment, leav­ing the man exis­ten­tial­ly adrift, in search of some­thing true and mean­ing­ful to hold on to.

It may not have daz­zling samu­rai bat­tles forged from thun­der and light­ning, but it’s one of Kurosawa’s finest achieve­ments nonetheless.

Today, The Hol­ly­wood Reporter broke the news that this film will get a sec­ond life in an unex­pect­ed form. A new film sim­ply called Liv­ing will adapt Ikiru for the Eng­lish lan­guage, with the action trans­posed from Tokyo to Lon­don in the same mid­cen­tu­ry period.

Bill Nighy will take the lead role, a civ­il ser­vant now renamed William, tasked with rebuild­ing what’s left of Eng­land after the ruina­tion of the sec­ond World War. The THR item includes a detailed plot syn­op­sis, explain­ing that William finds some solace in a viva­cious young cowork­er, to be played by Aimee Lou Wood of the Net­flix series Sex Education.

The film’s already got a direc­tor in Oliv­er Her­manus, the ris­ing South African tal­ent most recent­ly respon­si­ble for the Venice-select­ed Moffie, anoth­er post-war jour­ney of self-dis­cov­ery. More promis­ing still is who they’ve got on tap as screen­writer: Nobel-win­ning nov­el­ist Kazuo Ishig­uro. Just one of the world’s great­est liv­ing writ­ers, deliv­er­ing his first script since 2005’s Mer­chant-Ivory joint The White Countess.

To edi­to­ri­al­ize a moment – this is the ide­al way to go about remak­ing some­thing as enshrined as Ikiru, that is to say, from an angle. Get the best per­son­nel your bud­get can accom­mo­date, put a re-inter­pre­tive bent on the mate­r­i­al, and you’re off to a strong start.

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