by Hannah Strong
Breaking into the local post office was deep research for the artworld multi-hypenate’s superb new film, Kajillionaire.
by Adam Woodward
The documentary maker attempts to cheat death with her life-affirming latest, Dick Johnson Is Dead.
by Rógan Graham
Don’t be fooled by the surface-level frivolity of Miss Juneteenth says its canny, thoughtful director.
by Lillian Crawford
The director of She Dies Tomorrow opens up about how anxiety and existential dread feed her creative spirit.
by Kambole Campbell
The star of Christopher Nolan’s Tenet revels in the toil of making an experimental mega blockbuster.
by David Jenkins
The Australian director discusses her debut, Babyteeth, and why she’s perfectly happy making other people’s scripts.
by Elena Lazic
How a fascination with female desire inspired the first-time director of the excellent Make Up.
by Sophie Monks Kaufman
The writer/director on how first-hand research informed her ‘poetic odyssey’, Never Rarely Sometimes Always.
by Beth Webb
The American filmmaker’s debut narrative feature is the perfect drama for the post #MeToo era.
by Fatima Sheriff
The Saudi Arabian iconoclast details the tribulations of making The Perfect Candidate.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.