by Sophie Monks Kaufman
One of Britain’s best documentary filmmakers trades on-camera interviews for archive footage in Shooting the Mafia.
by David Jenkins
With her eerie debut feature Atlantics, the actor-turned-director has delivered one of the year’s finest films.
by Hannah Strong
The Australian writer/director on why her brutal new film The Nightingale is about love, not hate.
by Nick Hasted
The US actor surveys his career, from Something Wild and Goodfellas to Marriage Story and Sopranos prequel The Many Saints of Newark.
by Christina Newland
Face to face with two of the greatest actors of their generation, together in Martin Scorsese’s magisterial mob drama.
by Greg Wetherall
The German filmmaker discusses the subversive message at the heart of his political documentary Meeting Gorbachev.
The French maestro on his acerbic new film Non-Fiction and why he’s a software rather than a hardware guy.
by Elena Lazic
As her new film American Woman attests, the one-time “It girl” has grown into a reliable character actor.
by Guy Lodge
The American star discusses slipping into the skin of Hollywood’s tragic sweetheart, Judy Garland.
by Adam Woodward
The British-Nigerian filmmaker on his intimate portrait of black masculinity, The Last Tree.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.