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Two human faces in a dramatic red lighting, with shadowy features and intense expressions.
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The surreal, singular genius of Dario Argento’s Suspiria

by Anton Bitel

Forty years on, the director’s night­mar­ish gial­li has lost none of its potency.
Lorry loaded with cardboard boxes, electronic equipment, and debris on a rural road.
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Discover the patriarchy skewering thrills of this Japanese splatterfest

by Anton Bitel

Sion Sono’s fan­ta­sy hor­ror TAG fea­tures one of the most arrest­ing open­ing sequences in movie history.
Shadowy figure with long beard partially visible in dark room, silhouetted against window.
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Discover this yuletide slasher that inspired John Carpenter’s Halloween

by Anton Bitel

Black Christ­mas con­tains one of the ear­li­est exam­ples of the ​‘final girl’ trope in hor­ror cinema.
Bearded man in winter gear holding a tool, standing in a dark, snowy environment.
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How John Carpenter’s The Thing became a horror/sci-fi classic

by Anton Bitel

The director’s new­ly-restored 1982 film con­tin­ues to stand the test of time.
A young man in a red shirt and dark jacket waving his hands in a room with various objects.
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Miracle Mile is an apocalyptic thriller that’s more relevant than ever

by Ian Schultz

Steve De Jarnatt’s cult ​’80s sci-fi is a har­row­ing depic­tion of nuclear war.
Frightening close-up of a twisted, monstrous face with glowing eyes and bared fangs in a dark, shadowy scene.
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Is this the greatest werewolf movie ever made?

by Anton Bitel

Joe Dante’s The Howl­ing is a per­fect blend of mod­ern hor­ror and prac­ti­cal effects.
Blonde woman with hands covering her face, peering through a glass window.
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Discover the classic Gothic chills of this Mario Bava masterpiece

by Anton Bitel

Kill, Baby… Kill! con­tains one of cinema’s ear­li­est evil children.
A man in a hooded jacket looking upwards with a serious expression against a blurred green background.
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Discover this Japanese epic about the horrors of war

by Anton Bitel

Shinya Tsukamoto’s Fires on the Plain is a har­row­ing reminder of the futil­i­ty and mad­ness of human conflict.
Close-up of a person's face covered by a grey fabric mask with eye and mouth holes visible.
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Discover the voyeuristic thrills of this gory ’70s giallo

by Anton Bitel

Ser­gio Martino’s schlocky 1973 film Tor­so offers a mas­ter­class in the male gaze.
A close-up view of a human arm, partially obscured by shadows and covered in shiny, metallic-looking material.
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Discover this shocking precursor to A Nightmare on Elm Street

by Anton Bitel

JS Cardone’s The Slay­er also cen­tres around a vin­dic­tive bogeyman.