Home Ents | Little White Lies

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Two astronaut-like figures in white suits standing over a prone figure on a dusty ground, with an old car in the background.
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Discover the pressure-cooker tension of this alien invasion thriller

by Anton Bitel

Robert Wise’s 1971 sci-fi The Androm­e­da Strain tapped into space race and Cold War anxieties.
A woman in a dark environment holding a video camera, with red-painted lips and an intense expression on her face.
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Discover the director’s cut of Olivier Assays’ Demonlover

by Anton Bitel

The French film­mak­er explores the dark side of the inter­net age in this erot­ic thriller from 2002.
Two men in suits sitting on a blue motorcycle, one with his head in his hands.
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Discover the punkish energy of manga-inspired coming of ager

by Anton Bitel

Toshi­a­ki Toyoda’s Blue Spring per­fect­ly cap­tures the fleet­ing excite­ment of youth.
Black and white image of a woman looking down at a man lying on a surface.
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Discover the feminist subtext of this Finnish folk horror

by Anton Bitel

A new­ly­wed woman is trans­formed into a vam­pir­ic beast in Erik Blomberg’s super­nat­ur­al tale.
Close-up of a large human eye with a blue iris against a dark background.
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Discover Australia’s dread-filled answer to The Shining

by Anton Bitel

Tony Williams’ 1982 hor­ror Next of Kin bears all the hall­marks of clas­sic Vic­to­ri­an gothic.
A shirtless person with dishevelled hair presses their hands against a glass panel, creating a blurred, distorted image.
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Discover the post-Scream pleasures of this ’90s meta-slasher

by Anton Bitel

Daniel Lia­tow­itsch and David Todd Ocvirk’s Kolo­bos pre­empt­ed the rise of real­i­ty TV.
Dark-haired person reaching out of mist against a dark background, with a bright light source in the distance.
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Discover the demonic pleasures of this ’80s possession horror

by Anton Bitel

Occult thrills abound in direc­tor Cami­lo Vila’s New Orleans-set exor­cism fable The Unholy.
Two people in a formal setting, one wearing a suit and the other a high-necked dress, both looking at each other intently.
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The troubled genius of Orson Welles’ The Magnificent Ambersons

by Adam Scovell

The director’s final pic­ture for RKO suf­fered from severe cuts, but still retains his gold­en touch.
Bearded man with glowing red eyes, wearing dark clothing, in a dark, shadowy environment.
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Discover the wild ride of this Hammer-esque ’70s Euro-horror

by Anton Bitel

Euge­nio Martín’s Hor­ror Express is like a loco­mo­tive mash-up of The Thing and Mur­der on the Ori­ent Express.
A bearded man with long hair wearing a headpiece and appearing distressed against a blue background.
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Discover the first-person POV terror of Dario Argento’s Opera

by Anton Bitel

The hor­ror maestro’s 1987 gial­lo is released in a spe­cial new 2K restora­tion this month.