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Shirtless male with eyes closed, face covered in blood, biting into something bloody
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Is An American Werewolf in London a love story?

by Anton Bitel

Romance, tragedy and horror combine to potent effect in director John Landis’ iconic 1981 feature.
Two people sitting on the back of a vintage scooter in a grassy field.
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Is this one of the great lesser-known location-based horrors?

by Adam Scovell

Robert Fuest’s And Soon the Darkness foreshadows both The Wicker Man and The Texas Chain Saw Massacre.
Woman in pink robe sitting on bed, thoughtful expression, bedroom interior with framed pictures on wall.
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Discover the troubling eroticism of this twisted ’70s thriller

by Anton Bitel

Stanley H Brassloff’s Toys Are Not for Children centres on a doll-like heroine with severe daddy issues.
A close-up of a woman's face, with her eyes closed and mouth open, surrounded by long, wavy, reddish-brown hair.
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Discover the sordid pleasures of this late-career Mario Bava slasher

by Anton Bitel

The Italian horror maestro’s 1971 film A Bay of Blood remains one of his most shocking works.
Red trolley on dirt path, with sign warning "Travellers advised not to leave paved road" against blue sky and trees.
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Does The Hills Have Eyes II contain that Wes Craven slasher magic?

by Anton Bitel

A new Blu-ray of this 1984 cheapjack sequel shows there's more value to it than meets the eye.
Several men engage in physical contact in a dimly lit environment.
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How Cruising exposes the dangers of internalised homophobia

by Anton Bitel

William Friedkin’s 1980 thriller casts an unwavering eye over New York’s gay S&M subculture.
Bald person with orange-tinted goggles, wearing blue coat, standing in front of a wooden wall and a car.
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Revisiting Paul Verhoeven’s Hollow Man and its straight-to-video sequel

by Anton Bitel

Both film are now available as part of a special collector’s edition box set.
Close-up of a woman's face with a serious, pensive expression, looking directly at the camera against a dark background.
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The strange, sickly pleasures of Amicus’ Gothic horrors

by Adam Scovell

In the 1960s and ’70s, this British film studio produced grisly tales to rival Hammer Horror.
Two individuals, a man in a red shirt and a woman in a white and red dress, sitting closely together on a floor with a floral background.
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The subversive fantasy of Catherine Breillat’s Romance

by Anton Bitel

The French auteur’s 1999 erotic drama challenges the viewer to separate sex from love.
Portrait of a person in a red and black abstract environment with striking visual elements.
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Discover the nightmarish imagery of this psycho-supernatural oddity

by Anton Bitel

A man wrestles with his telepathic powers in Roger Christian’s disturbing directorial debut.

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