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Shirtless male with eyes closed, face covered in blood, biting into something bloody
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Is An American Werewolf in London a love story?

by Anton Bitel

Romance, tragedy and hor­ror com­bine to potent effect in direc­tor John Lan­dis’ icon­ic 1981 feature.
Two people sitting on the back of a vintage scooter in a grassy field.
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Is this one of the great lesser-known location-based horrors?

by Adam Scovell

Robert Fuest’s And Soon the Dark­ness fore­shad­ows both The Wick­er Man and The Texas Chain Saw Massacre.
Woman in pink robe sitting on bed, thoughtful expression, bedroom interior with framed pictures on wall.
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Discover the troubling eroticism of this twisted ’70s thriller

by Anton Bitel

Stan­ley H Brassloff’s Toys Are Not for Chil­dren cen­tres on a doll-like hero­ine with severe dad­dy issues.
A close-up of a woman's face, with her eyes closed and mouth open, surrounded by long, wavy, reddish-brown hair.
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Discover the sordid pleasures of this late-career Mario Bava slasher

by Anton Bitel

The Ital­ian hor­ror maestro’s 1971 film A Bay of Blood remains one of his most shock­ing works.
Red trolley on dirt path, with sign warning "Travellers advised not to leave paved road" against blue sky and trees.
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Does The Hills Have Eyes II contain that Wes Craven slasher magic?

by Anton Bitel

A new Blu-ray of this 1984 cheap­jack sequel shows there’s more val­ue to it than meets the eye.
Several men engage in physical contact in a dimly lit environment.
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How Cruising exposes the dangers of internalised homophobia

by Anton Bitel

William Friedkin’s 1980 thriller casts an unwa­ver­ing eye over New York’s gay S&M subculture.
Bald person with orange-tinted goggles, wearing blue coat, standing in front of a wooden wall and a car.
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Revisiting Paul Verhoeven’s Hollow Man and its straight-to-video sequel

by Anton Bitel

Both film are now avail­able as part of a spe­cial collector’s edi­tion box set.
Close-up of a woman's face with a serious, pensive expression, looking directly at the camera against a dark background.
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The strange, sickly pleasures of Amicus’ Gothic horrors

by Adam Scovell

In the 1960s and ​’70s, this British film stu­dio pro­duced gris­ly tales to rival Ham­mer Horror.
Two individuals, a man in a red shirt and a woman in a white and red dress, sitting closely together on a floor with a floral background.
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The subversive fantasy of Catherine Breillat’s Romance

by Anton Bitel

The French auteur’s 1999 erot­ic dra­ma chal­lenges the view­er to sep­a­rate sex from love.
Portrait of a person in a red and black abstract environment with striking visual elements.
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Discover the nightmarish imagery of this psycho-supernatural oddity

by Anton Bitel

A man wres­tles with his tele­path­ic pow­ers in Roger Christian’s dis­turb­ing direc­to­r­i­al debut.