Thriller

Twisters review – cloudy with a chance of scattered narrative

By Hannah Strong

This sequel to the 1996 disaster blockbuster sees a new group of storm chasers set out to tame a tornado, but the results don't exactly blow us away.

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A Quiet Place: Day One review – cat’s entertainment

By Hannah Strong

A feline steals the show in Michael Sarnowski's serviceable entry into the sound-focused horror franchise.

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Something in the Water review – not likely to make a splash

By Billie Walker

A bridal party find themselves sharing the ocean with an aquatic killer in Hayley Easton Street's shark thriller.

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Hounds – This contrived crime story outstays its welcome

By David Jenkins

Two bumbling hoods in Casablanca are charged with disposing of a corpse in Kamal Lazraq’s disappointing thriller.

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Monkey Man review – a ferocious, rough-hewn directorial debut

By Kambole Campbell

Dev Patel emerges as a compelling action star in his directorial debut Monkey Man, a scrappy revenge tale set in a fictionalised Indian city where corruption is rife.

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Baltimore review – chilling and expertly constructed

By David Jenkins

The always excellent duo Joe Lawlor and Christine Malloy create a tense, gripping portrait of Rose Dugdale, who left behind a life of privilege to become a key figure in the IRA.

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Nyad review – a solid, female-fronted sports saga

By David Jenkins

Annette Bening plays the real-life marathon swimmer in this feelgood drama that documents her attempts to cross the Straits of Florida.

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Argylle review – I’ve had more fun at dental appointments

By Hannah Strong

Bryce Dallas Howard and Sam Rockwell attempt to add some charm to an utterly charmless script in Matthew Vaughn's derivative spy comedy.

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Trenque Lauquen review – compulsive and completely absorbing

By David Jenkins

One of 2023’s most astonishing films comes in the form of a two-part opus about a woman drawn to mystery that takes a few cues from Twin Peaks.

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Femme review – an uninhibited, spikey portrait of revenge

By Emily Maskell

After being the victim of a violent homophobic attack, a young drag performer sees an opportunity to get revenge on one of his tormentors.

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Eileen review – an impressively crafted noir

By Katherine McLaughlin

A shy young prison guard develops an infatuation with her workplace's new psychiatrist in William Oldroyd's twisty new thriller.

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Lost In The Night review – violent drama hampered by convention

By David Jenkins

Mexican provocateur Amat Escalante makes a half-cocked bid for mainstream respectability in this intriguing tale of a young man’s torrid search for his missing mother.

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Saltburn review – gorgeous, lurid, shallow and frustrating

By Hannah Strong

A working-class student finds himself thrust into a new world in Emerald Fennell’s stylish but underwhelming second feature.

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Anatomy of a Fall review – Sandra Hüller is one of the finest to ever do it

By David Jenkins

A woman has to stand trial after her husband dies in suspicious circumstances in Justine Triet's compelling courtroom drama.

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Give Me Pity! review – an experimental, esoteric extravaganza

By Marina Ashioti

A young woman's dream gig on television descends into chaos in Amanda Kramer's imaginative new melodrama.

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The Royal Hotel review – harrowing, but doesn’t burrow under the skin

By Mark Asch

More cinema of ominous discomfort from Kitty Green as she takes us to an out-of-the-way Australian boozer for some low-boiling violence.

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Cat Person review – sorry, I’m allergic

By Hannah Strong

This twisted tale of gender politics based on Kristen Roupenian's 2017 short story is a major letdown in conception and execution.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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