Drama

The Kitchen review – vindicating and explosive

By Rógan Graham

Daniel Kaluuya and Kibwe Tavares' feature debut is a kinetic, prescient thriller about gentrification and isolation in a near-future version of London.

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The Book of Clarence review – hilarious highs, jumbled lows

By Cheyenne Bart-Stewart

Jeymes Samuel's second feature follows the misadventures of one of the thieves who ended up on the cross next to Jesus Christ himself.

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The Holdovers review – the most scintillating festive movie in years

By Lillian Crawford

A curmudgeonly teacher, a grieving cook and a petulant young student find themselves thrown together for the holidays in Alexander Payne's excellent Christmassy dramedy.

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Poor Things review – Lanthimos at his most playful and comedic

By Savina Petkova

Emma Stone gives a career-defining performance in Yorgos Lanthimos’ opulent provocation about the human body as a nexus for pleasure and pain.

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One Life review – protect Anthony Hopkins at all costs

By Adam Woodward

Anthony Hopkins is sensational in James Hawes' otherwise fairly conventional biopic of Nicholas Winton, who was responsible for rescuing hundreds of Jewish children from Nazi-occupied Czechoslovakia.

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Ferrari review – Driver is fantastic, Cruz is even better

By David Jenkins

Adam Driver portrays the single-minded Enzo Ferrari in his middle-age following the death of his son Dino in Michael Mann's unconventional take on the biographical drama.

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Priscilla review – subtle and sensational

By Hannah Strong

A star is born in Sofia Coppola's biographical drama based on the relationship between Priscilla and Elvis Presley, with Cailee Spaeny delivering a remarkable performance.

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The Boy and the Heron review – poetry, philosophy, pure emotion

By Mark Asch

Less a swansong and more a heronsong from the Japanese maestro Hayao Miyazaki, a mystical and ambitious message of hope for the future.

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Raging Grace review – combines righteous anger with well-executed chills

By David Jenkins

An undocumented Filipina immigrant secures a care job to provide a better life for her young daughter, but it turns out to be something more sinister in Paris Zarcilla's horror.

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Next Goal Wins review – chillingly eager to please

By Mark Asch

Taika Waititi's feel-good comedy about the plight of a hapless Samoan football team strives for nothing more than maintaining the status quo.

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Sweet Sue review – a strange, disjointed film

By David Jenkins

Leo Leigh’s likeable but wonky feature debut offers a meandering trawl through the doomed love life of a mature party shop owner.

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Godzilla Minus One review – Precision-tooled fun

By David Jenkins

Our atomic friend returns for a runout on the battered landscape of post-1945 Tokyo in Takashi Yamazaki’s stripped back action epic.

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Earth Mama review – new talent arrives on the scene fully-formed

By David Jenkins

Seek out this very special debut feature from Savanah Leaf about a woman navigating the bureaucratic hell of the child services system.

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Trenque Lauquen review – compulsive and completely absorbing

By David Jenkins

One of 2023’s most astonishing films comes in the form of a two-part opus about a woman drawn to mystery that takes a few cues from Twin Peaks.

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Femme review – an uninhibited, spikey portrait of revenge

By Emily Maskell

After being the victim of a violent homophobic attack, a young drag performer sees an opportunity to get revenge on one of his tormentors.

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Eileen review – an impressively crafted noir

By Katherine McLaughlin

A shy young prison guard develops an infatuation with her workplace's new psychiatrist in William Oldroyd's twisty new thriller.

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Fallen Leaves review – the Finnish legend returns

By David Jenkins

Another gorgeous tragicomic farce from Finnish maestro Aki Kaurismäki, a heartfelt cinephile ode to the possibility of love among the working classes.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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