by David Jenkins
There’s just too much that’s wrong and silly and derivative about this tired, tired run-out.
by Adam Woodward
Brad Pitt is in scintillating form in this shameless PR exercise, which also happens to be one of the year’s most purely entertaining cinematic experiences.
by Yasmine Kandil
Dreamworks’ first foray into the world of live-action remakes is fairly unremarkable despite occasional sparks of magic.
John Maclean aims for Sergio Leone and Akira Kurosawa, but this 18th century samurai western leaves only a superficial impression.
A charming arms dealer heads on the road to redemption in this pristine shot of pure pleasure from filmmaker Wes Anderson.
Ethan and the team take another crack at foiling a self-learning AI monster that’s hellbent on a global apocalypse.
by Fatima Sheriff
There’s a lot of superficial fun to be had with this superhero romp, which hasn’t been the case in the MCU for a long while.
by Hannah Strong
Ben Affleck’s autistic hitman with a gift for numbers returns in Gavin O’Connor’s mismatched action thriller.
by Josh Slater-Williams
Kiyoshi Kurosawa’s latest treads similar thematic territory to his prescient 2001 cyberhorror, through the prism of an e‑commerce, vengeance-fuelled thriller.
by Kambole Campbell
Finally free from the Marvel machine, Ryan Coogler delivers the goods and then some with his music-powered, genre-splicing latest.
Alex Garland teams up with Iraq War veteran Ray Mendoza for an evocative but empty war film, recreating a catastrophic day in Ramadi based on the memories of Mendoza and his comrades.
Rami Malek struggles in this boilerplate thriller as a CIA operative out to kill the men that murdered his wife.
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