by Billie Walker
A young widow in an Icelandic fishing village faces difficult decisions in Thordur Pallson’s period folk horror.
by Charles Bramesco
Robert Eggers realises a lifelong dream in reimagining the tale of Count Orlok, with spellbinding results.
by Josh Slater-Williams
Evan Johnson, Galen Johnson and Guy Maddin’s political satire pits world leaders against an unlikely climate event.
by Jourdain Searles
Amy Adams is on great form in Marielle Heller’s adaptation of Rachel Yoder’s novel about a new mother who is alarmed discover she is turning into a dog.
by Leila Latif
Two Mormon missionaries get more than they bargained for when they drop in on Hugh Grant in Scott Beck and Bryan Woods’ effective psychological horror.
by Patrick Sproull
Theatre legend Kathryn Hunter camps it up as a sinister old biddy terrorising her daughter-in-law Brandy Norwood in the horror debut from Max and Sam Eggers.
by Hannah Strong
Parker Finn follows up his 2022 smash with a suitably silly sequel, in which a pop star becomes the latest victim of the grinning demon who drives victims to suicide.
Damien Leone’s cult favourite killer clown returns for some festive fun in the third instalment in the goretastic franchise.
Coralie Fargeat’s supposed satire on Hollywood’s impossible standards for women is an ultimately unpleasant and ugly screed against those that try to play the game.
by David Jenkins
James McAvoy is a blast as the overly-friendly patriarch who invites unwitting tourists back to his west country stack for fun and games.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
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