by Marina Ashioti
Writer/director Chris Baugh’s vampire comedy-horror fails to breathe new life into a stale genre.
by Anton Bitel
A backwater preacher pushes his small congregation to its limits in this quasi-mystical Colombian parable.
by Josh Slater-Williams
Netflix’s time-skipping horror trilogy reaches a satisfying conclusion via a 17th-century Sarah Fier origin story.
The second part of Netflix’s RL Stine-inspired horror trilogy is a serious upgrade on its muddled predecessor.
A lacklustre opening to this new trilogy of teen slasher yarns based on the books by RL Stine.
by Hannah Strong
A teenage girl and a serial killer undergo an accidental body swap in Christopher Landon’s twist on a classic formula.
Ben Wheatley goes back to basics in this understated yet supremely effective 21st century folk horror.
George A Romero’s long-lost public service announcement captures the inherent horrors of old age.
by Anna Bogutskaya
The third instalment in the horror franchise gives us a lot of Ed and Lorraine Warren, but not nearly enough Satan.
by David Jenkins
Silence is less than golden in this occasionally effective blockbuster sequel which trades horror for action.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.