by Hannah Strong
Doug Liman directs Jake Gyllenhaal in this mirthless unnecessary reimagining of the 1989 Swayze classic.
Dakota Johnson delivers a remarkably disinterested performance as a clairvoyant superhero in this shoddy Spider-Man spin-off.
Bryce Dallas Howard and Sam Rockwell attempt to add some charm to an utterly charmless script in Matthew Vaughn’s derivative spy comedy.
by David Jenkins
A ripe set-up in which a family of ducks migrate in the wrong direction is squandered in this haphazard and empty family animation.
David Ayer’s latest action thriller is an underwhelming story about a retired secret agent who swears revenge against a tech bro scam company.
Aggressively unmemorable return to a garish CGI Atlantis in which Jason Momoa’s sub-aqua regent wards off another potential apocalypse.
Our atomic friend returns for a runout on the battered landscape of post-1945 Tokyo in Takashi Yamazaki’s stripped back action epic.
Rachel Zegler and Tom Blyth head up this serviceable franchise prequel that divebombs into ignominy and obscurity during its protracted final act.
Michael Fassbender plays a contract killer suffering some professional setbacks in David Fincher’s lean, mean new thriller.
by Leila Latif
Gareth Edwards serves up a visually ambitious story of war between humans and A.I. beings in this heartfelt sci-fi spectacle.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.