A group of teenagers set off on a post-graduation road trip in Bill and Turner Ross's latest feature, billed as their first fiction.
Ava DuVernay adapts Isabel Wilkerson's 2020 non-fiction book 'Caste: The Origin of Our Discontents' with somewhat mixed results, interweaving Wilkerson's personal story into one of systemic subjugation.
Richard Linklater and Glen Powell team up for a highly entertaining black comedy about a mild-mannered college professor who becomes a fake hit man.
By Xuanlin Tham
The final performance of the late Japanese composer is captured in stunning, heart-rending detail by his son.
A young man who feels disconnected from the world around him receives shocking news about his absent father in Moin Hussain's moving feature debut.
Sofia Coppola turns her keen eye to modern mythology, adapting Priscilla Presley's memoir into a gorgeous, acutely sad coming-of-age drama.
By Xuanlin Tham
Ryusuke Hamaguchi's ecological drama about a small mountain village threatened by a new development is a haunting, glacial depiction of the gulf between capitalism and environmentalism.
William Friedkin's final film sees Jason Clarke act as a reluctant naval lawyer in a highly irregular case, attempting to prove the innocence of a sailor accused of mutiny.
David Fincher and Se7en screenwriter Andrew Kevin Walker reteam for a thriller about an assassin whose bad day at the office has nasty ramifications.
Across three timelines, a pair of lovers find each other again and again in Bertrand Bonello's ambitious, genre-defying latest.
Harmony Korine ushers in a new experimental tack with his purposefully off-putting infra-red assassin film, which attempts to gamify cinema.
Bradley Cooper's much-feted drama about legendary composer and conductor Leonard Bernstein proves an underwhelming exercise in by-the-book biographical drama.
Yorgos Lanthimos reunites with his Emma Stone for a lavish and lewd romp through a steampunk vision of Europe.
Wes Anderson adapts his second Roald Dahl story, this time into a rather delightful short with some beautifully rendered theatrical set pieces.
Andrew Scott and Paul Mescal are electric in Andrew Haigh's twist on the modern ghost story, adapted from Taichi Yamada's cult novel.
Michael Mann's long-awaited Enzo Ferrari biopic is a disappointingly conventional and surprisingly rough portrait of an automotive icon.
Pablo Larraín imagines Augusto Pinochet as an aged vampire craving death in his gothic satire, which marks his first foray into horror.
Yorgos Lanthimos’ Poor Things and Emerald Fennell’s Saltburn are among the picks of this year’s bumper LFF crop.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
