Festivals

Love Lies Bleeding – first-look review

By Hannah Strong

A drifting bodybuilder and a reclusive gym employee fall hard for each other with devastating consequences in Rose Glass's explosive thriller.

The Outrun – first-look review

By Hannah Strong

Saoirse Ronan stars as a young woman battling alcoholism on the Orkney Isles in Nora Fingscheidt's adaptation of Amy Liptrott's bestselling memoir.

Crossing – first-look review

By Hannah Strong

A retired Georgian teacher sets out to reunite with her estranged niece in Istanbul in Levan Akin's compassionate third feature.

La Cocina – first-look review

By Hannah Strong

Alonso Ruizpalacios's bilingual drama takes place during the chaotic lunch rush of a Times Square restaurant, where tensions flare between front of house and kitchen staff.

Cuckoo – first-look review

By Hannah Strong

Hunter Schafer stars in Tilman Singer's second film, about strange occurances at an Alpine resort.

A Different Man – first-look review

By Hannah Strong

Sebastian Stan and Adam Pearson are an excellent double act in Aaron Schimberg's effective sophomore feature.

Thelma – first-look review

By Hannah Strong

June Squibb is a delight in this sweet comedy about an irrepressible 93-year-old who won't take being scammed lying down.

Handling the Undead – first-look review

By Hannah Strong

Three families reckon with the dead returning from the grave in Thea Hvistendahl's glacial horror drama.

I Saw the TV Glow – first-look review

By Esther Rosenfield

Jane Schoenbrun's sophomore feature is an unnerving take on loneliness, isolation, and the enduring mysteries of children's media.

Glasgow Film Festival announces A-grade line-up

By David Jenkins

A grand banquet of film has been laid out for the festival's 20th anniversary edition.

Berlin announce exciting 2024 competition line-up

By David Jenkins

Outgoing artistic director Carlo Chatrian delivers the world cinema goods for his final edition at the helm.

Between the Temples – first-look review

By Hannah Strong

Jason Schwartzman and Carol Kane are a magnificent double act in Nathan Silver's thoughtful take on grief and faith, which sees a cantor in crisis reunite with his childhood music teacher.

Chasing Chasing Amy – first-look review

By Soma Ghosh

Sav Rodgers weaves personal and pop culture history together as he unpacks the legacy of Kevin Smith's 1997 romantic comedy.

Janet Planet – first-look review

By Charles Bramesco

Annie Baker's debut feature about a mother and daughter is magical and assured drama that announces the Pulitzer Prize winner as a filmmaking talent as well as a literary one.

Green Border – first-look review

By Charles Bramesco

Veteran filmmaker Agnieszka Holland offers a stirring, stark depiction of the refugee situation in Europe, as Syrians fleeing war face harrowing interrogation at the Polish-Belarusian border.

Baltimore – first-look review

By David Jenkins

Imogen Poots shines in this angular, fragmented portrait of English rose-turned-firebrand activist Rose Dugdale from Irish filmmakers Joe Lawlor and Christine Molloy.

All Dirt Roads Taste of Salt – first-look review

By Charles Bramesco

Raven Jackson's feature debut announces a striking visual talent, following the story of a young woman's life in rural Mississippi.

Celluloid Underground – first-look review

By David Jenkins

This fascinating and melancholy documentary sees an Iranian exile in London looking back to the stranger-than-fiction roots of his formative cinephelia.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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