Menus-Plaisirs Les Troisgros – first-look review | Little White Lies

Festivals

Menus-Plaisirs Les Trois­gros – first-look review

11 Sep 2023

Words by Rafa Sales Ross

Three men sitting at a table, engaged in conversation, with glasses of wine or other drinks on the table.
Three men sitting at a table, engaged in conversation, with glasses of wine or other drinks on the table.
In his lat­est doc­u­men­tary, the Amer­i­can mas­ter Fred­er­ick Wise­man observes the rou­tines of the Trois­gros fam­i­ly and their three fine din­ing restau­rants in France.

A day in the life of a restau­ra­teur and Fred­er­ick Wiseman’s lat­est film begin in the same way: at the food mar­ket. Fin­gers care­ful­ly peruse fresh pro­duce as if valu­able rar­i­ties, men debate the mer­its of Moroc­can mint and wild straw­ber­ries with the eager­ness and atten­tive­ness of con­nois­seurs, and greet the farm­ers with the warm famil­iar­i­ty of old neigh­bours. From the busy quar­ters of the mar­ket and into the restau­rant kitchen they go, turn­ing iso­lat­ed por­tions of food into an entire menu in a process akin to alchemy.

Michel Trois­gros became known for craft­ing menus out of local­ly sourced ingre­di­ents, find­ing inspi­ra­tion in the sea­son­al rhythms of the French region of Bur­gundy where his fam­i­ly has owned a restau­rant for almost a cen­tu­ry. After a brief for­ay into fic­tion film­mak­ing with 2022’s A Cou­ple, mas­ter doc­u­men­tar­i­an Fred­er­ick Wise­man returns to non-fic­tion with the 4‑hour-long Menus-Plaisirs Les Troigros, chron­i­cling the rou­tine of one of the many sites of the ever-sprawl­ing Trois­gros domain.

The site in ques­tion is the La Colline du Colom­bier, a jew­el of mod­ern archi­tec­ture envi­sioned to mir­ror the pas­toral pat­terns of the local land­scape (deep in the French coun­try­side, a 90-minute dri­ve from Lyon) and built with nat­ur­al mate­ri­als that evoke the culi­nary prac­tices of the chef in its realm. If the restaurant’s archi­tec­ture stands in har­mo­ny with the geog­ra­phy of its bucol­ic set­tings, the kitchen is a stark con­trast to the unpre­dictabil­i­ty of nature’s tides, helmed with mil­li­met­ric pre­ci­sion by Chef Michel. Wiseman’s unob­tru­sive approach lends itself to this dichoto­my, patient­ly accom­pa­ny­ing the lulling rhythms of farms and fields while allow­ing for the pre­ci­sion of the kitchen to be appre­ci­at­ed in the entire­ty of its many processes.

Knives cut through root and bone alike as fin­gers escape the blade by a mil­lisec­ond. Grains are rearranged on plates with the help of sur­gi­cal tweez­ers, an almost too-on-the-nose reminder of the need for accu­ra­cy that per­me­ates both culi­nary and med­ical prac­tices. The kitchen is a world of its own, one that exists only when in tan­dem with the salon. There, peo­ple from all cor­ners of the world gath­er in a lim­bo where all that mat­ters is the menu, joined sole­ly by an appre­ci­a­tion of the fine din­ing expe­ri­ence. The cus­tomers are treat­ed by the wait­ing staff with the same lov­ing care as the food is treat­ed by the chefs, the two teams form­ing the frag­ile ecosys­tem of hos­pi­tal­i­ty that ensures the suc­cess of the restaurant.

The Trois­gros clan has held onto their cov­et­ed three Miche­lin stars for over five decades, a feat capa­ble of impress­ing even those unable to dis­tin­guish between a coulis and a sou­flée. By the time Wise­man enters Michel’s kitchen, the chef is ready­ing him­self to pass the baton to his chil­dren, and do his part to ensure the longevi­ty of the family’s culi­nary empire. This rit­u­al, shared by four gen­er­a­tions of Trois­gros, evokes weighty reflec­tions on ques­tions of lega­cy and suc­ces­sion. This encom­pass­ing of such a piv­otal moment in the life of a pro­lif­ic artist makes it hard not to think of Wiseman’s very own five-decade career, Menus-Plaisirs Les Tois­gros stand­ing as a poignant reminder that the 93-year-old has no baton to pass.

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