The self-taught filmmaking family shaking up the… | Little White Lies

Festivals

The self-taught film­mak­ing fam­i­ly shak­ing up the hor­ror genre

25 Jul 2019

Words by Justine Smith

Person in black clothing and hood standing with camera on tripod in forest with fallen leaves on ground.
Person in black clothing and hood standing with camera on tripod in forest with fallen leaves on ground.
Along with their daugh­ters, co-direc­tors John Adams and Toby Pos­er are win­ning fans with their alter­na­tive, home­spun approach.

Near­ly 10 years ago, The Adams fam­i­ly packed up their life into an RV and went on a cross-coun­try trip to make a movie. Toby Pos­er had a suc­cess­ful act­ing career but the work was slow­ly dry­ing up and John Adams, who was in a punk band, had been offered a job on a Jack­ass inspired real­i­ty show that was swift­ly can­celled. Frus­trat­ed with the indus­try and shrink­ing oppor­tu­ni­ties, John and Toby along with their two daugh­ters Zel­da and Lulu (who were six and 10 respec­tive­ly) decid­ed to take what they learned and try to make their own movie.

Toby recalls how John asked a cin­e­matog­ra­ph­er friend of theirs how you make a movie for $20,000. He said you can’t, it’s impos­si­ble. That’s the thing, if some­body says it’s impos­si­ble then we’re going to do it, and we did.”

Over the years the Adams have made five fea­tures and refined their style. It’s a true fam­i­ly affair, as they share respon­si­bil­i­ties direct­ing, act­ing, writ­ing, shoot­ing, and edit­ing – they even com­pose their own music. Their most recent film,  The Deep­er You Dig, received its world pre­mière at the Fan­ta­sia Inter­na­tion­al Film Fes­ti­val in Mon­tréal this month. It rep­re­sents a col­lab­o­ra­tive effort between John, Toby and Zel­da, who is now 14; Lulu has gone away to col­lege but has con­tributed to every film up to this point.

The Deep­er You Dig is about grief, redemp­tion and for­give­ness. In the after­math of an acci­dent, a moth­er search­es for her daugh­ter. Work­ing as a medi­um, she invokes the spir­its in order to gain access to the super­nat­ur­al realm. A local lon­er, involved in the dis­ap­pear­ance, begins to lose grip on real­i­ty and becomes obsessed with bury­ing his guilt deep­er and deeper.

Set in the Catskills region of upstate New York, most of the film was shot in and around the Adams’ home. Their vision feels sin­gu­lar­ly Amer­i­can as they por­tray issues close to their heat and own expe­ri­ences. John explains how they choose their sto­ries, All of our movies are about bro­ken Amer­i­cans, [they’re] not try­ing [to] get fixed, but just get by as good as they can.” Toby inter­jects, If I had to put an image to the phi­los­o­phy behind our films, it is a wild­flower grow­ing through a crack in a sidewalk.”

Two people on fallen log in green, leafy forest.

Stark and expres­sion­is­tic, the self-made film relies heav­i­ly on the rugged nat­ur­al beau­ty of the Catskills. The family’s DIY ethos has its lim­i­ta­tions but just as many advan­tages. They have access to wild land­scapes and the lux­u­ry of hav­ing relaxed time con­straints means their work can span all four sea­sons. Since their pri­ma­ry loca­tion is lit­er­al­ly their own back­yard, they can run out to shoot dur­ing a bliz­zard or on a fog­gy morn­ing. The unfil­tered beau­ty of the film con­tributes to its oth­er­world­ly atmos­phere. Most mid-to-large scale pro­duc­tions could nev­er adopt this approach, restrict­ed by sched­ules, bud­gets and producers.

Being agile and hav­ing to impro­vise on the spot also allows for hap­py acci­dents. To shoot on a frozen lake, they attached the cam­era to a bike and pushed it through the snow. Pos­er recalls oper­at­ing the cam­era, You can see in the film how the cam­era tilts when I was han­dling the cam­era because I was scared shit­less. As you walk on the lake, the ice starts to crack. But, those are lucky mis­for­tunes.” The final result height­ens the film’s off-kil­ter mood.

Pensive individual with hooded expression, gazing intently.

Great hor­ror can hold a mir­ror to our own feel­ings of mor­tal­i­ty, explor­ing the fun­da­men­tal fragili­ty of the human con­di­tion. Yet beyond stok­ing our exist­ing fears and anx­i­eties, hor­ror cin­e­ma can also invoke a sense of alche­my, mag­i­cal­ly trans­form­ing our reality.

Much of The Deep­er You Dig was made in the shad­ow of Toby’s can­cer diag­no­sis. Toby and I have both been some real­ly tough stuff, but every gift is a curse,” John explains. If you get hung up on your curs­es, then you’re cursed – but if you cel­e­brate them, you’re gift­ed. Art is a way to cel­e­brate your pain.”

It is also an oppor­tu­ni­ty to work togeth­er as a fam­i­ly. For Toby, it has always been imper­a­tive to cre­ate an envi­ron­ment in which her daugh­ters can thrive. While she her­self has strug­gled for recog­ni­tion, she hopes her daugh­ters will not have to expe­ri­ence that fight. Women often strug­gle to gain atten­tion and it’s chang­ing and that’s great, but it was real­ly impor­tant for me that when they were lit­tle they would see their mom as a film­mak­er and now they’re film­mak­ing too.”

Zel­da, the offi­cial BS Mon­i­tor” on set, has a pas­sion for the cam­era. Over their five fea­tures, she has pushed the fam­i­ly to take greater risks with their cin­e­matog­ra­phy, espe­cial­ly with move­ment. A vora­cious film watch­er, she was ini­tial­ly inter­est­ed in mak­ing movies to be more like Kris­ten Stew­art but now has grander ambi­tions. Zel­da has even start­ed mak­ing her own short films. In 2018 her film Noble, a four-minute short about choos­ing the per­fect prom out­fit, pre­miered at Wal­la Wal­la Movie Crush.

The Adams fam­i­ly are cur­rent­ly float­ing around a num­ber of new scripts and ideas, includ­ing a west­ern ghost sto­ry” cen­tred on the Ore­gon trail, a hunt­ing trip that goes hor­rif­i­cal­ly wrong and, on a lighter note, a movie about a father and daugh­ter with a rock band (John and Zel­da are also in a band together).

In an era of mega-block­busters and cor­po­rate dom­i­nance, the Adams fam­i­ly have adopt­ed a refresh­ing alter­na­tive film­mak­ing mod­el which prizes col­lab­o­ra­tion and per­son­al­ly dri­ven projects. The Deep­er You Dig is far more than just a nov­el­ty though. Tak­ing advan­tage of the cre­ative free­dom afford­ed by their cir­cum­stances, they have craft­ed a haunt­ing, har­row­ing film about love and loss in con­tem­po­rary America.

You might like