Features

Hard Truths – first-look review

By Mark Asch

Reuniting with Marianne Jean-Baptiste, Mike Leigh makes a welcome return to contemporary filmmaking with a searing portrait of a woman on the brink.

We Live in Time – first-look review

By Mark Asch

John Crowley delivers a millennial cancer weepie with two game leads in Florence Pugh and Andrew Garfield.

Familiar Touch – first-look review

By Hannah Strong

Sarah Friedland's feature debut is a stunning, sensory-forward portrait of a woman with dementia adapting to life in an assisted living facility.

April – first-look review

By Rafa Sales Ross

Dea Kulumbegashvili's stark Georgian drama follows an obstetrician who moonlights as an abortionist, as she is accused of interfering with her patients.

Horizon: An American Saga – Chapter 2 – first-look review

By Luke Hicks

Kevin Costner deftly keeps the wheels turning on his hyper ambitious four-part western saga, despite a lukewarm reception and scrapped release.

Love – first-look review

By Rafa Sales Ross

Dag Johan Haugerud's exploration of human desire is a sadly all too sterile affair.

The End – first-look review

By Mark Asch

Joshua Oppenheimer returns with an ambitious, post-apocalyptic musical whose thematic flights of fancy are always just a little too strident.

Youth (Homecoming) – first-look review

By Anna McKibbin

The final chapter in Wang Bing's epic trilogy examines love old and new in China's Zhili province.

Double Threat: A history of actresses directing

By Little White Lies

An expansive, 50-film chronology looking back at the history of films directed by female actors.

The irrelevance of gender in the films of Pedro Almodóvar

By Meghana Kandlur

In the cinema of Pedro Almodóvar, gender proves more fluid and arbitrary than in much of contemporary cinema.

Pavements – first-look review

By Luke Hicks

Alex Ross Perry creates a unique docu-fiction about cult indie band Pavement, blurring the lines between real and fake to excellent comedic effect.

Joker: Folie à Deux – first-look review

By Hannah Strong

Todd Phillips recruits Lady Gaga to his circus act as Joaquin Phoenix reprises his role as the crime-committing clown about town in this shockingly amateur musical effort.

The Quiet Son – first-look review

By Rafa Sales Ross

Vincent Lindon stars as a widower trying to steer his young song away from the far right in the Coulin Sisters' frustrating drama.

Queer – first-look review

By Hannah Strong

Luca Guadagnino heads on down to Mexico with Daniel Craig and Drew Starkey in his freewheeling take on William S. Burroughs' eponymous novel.

2073 – first-look review

By Anahit Behrooz

Bending the boundaries of documentary and sci-fi, Asif Kapadia presents an urgent message about the current state of the world, and where we might be headed, with help from Samantha Morton.

Harvest – first-look review

By Hannah Strong

Athina Rachel Tsangari's solemn adaptation of Jim Crace's historical novel concentrates on the changing face of a Scottish farming village as the agricultural revolution begins.

I’m Still Here – first-look review

By Rafa Sales Ross

Walter Salles returns to narrative filmmaking with a sensitive depiction of the forced disappearance of former congressman Rubens Paiva, and the devastation his family faced.

The Room Next Door – first-look review

By Hannah Strong

Pedro Almodóvar makes his English-language feature debut with an adaptation of Sigrid Nunez's What Are You Going Through, starring Julianne Moore and Tilda Swinton as old friends who reunite in a time of crisis.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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