by S.L. Page
A spate of recent films use food and fine dining to explore themes of injustice and performance – but do they have anything novel to say?
by Katie Tobin
Despite increased distrust in policing, films about detective work have only become more popular, achieving both financial and critical acclaim.
by Jonah Jeng
As Copenhagen Cowboy hits Netflix, it’s a good time to revisit NWR’s underrated sophomore feature.
by Charles Bramesco
The Oscar-winning musician is planning a fresh take on the 1954 killer-ant B‑picture.
by Rógan Graham
The director of Till speaks about the challenges of portraying a traumatic piece of American Black history on screen.
by Anton Bitel
Elio Petri’s The Working Class Goes to Heaven remains a sobering portrait of life as a cog in the oppressive machine.
by Callie Petch
She Said, Call Jane, Hidden Letters and Women Talking form a quartet that depicts how women have worked to create their own means of rebelling against abuses from the patriarchy.
by Hannah Strong, Charles Bramesco, Saskia Lloyd-Grainger
Part two of our annual preview heralds the arrival of new films from the likes of Pawel Pawlikowski, Michel Gondry and Kitty Green.
As we ring in the new year, it’s time to look ahead to the cinematic riches that the next twelve months might offer us.
by Charles Bramesco, David Jenkins, Marina Ashioti, Hannah Strong, Adam Woodward
The LWLies team count down their favourite cinematic experiences from an embarrassment of movie riches.
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