by Sarah Buddery
The filmmaker’s homage to his childhood has foundations in a career spent investigating familial dynamics.
by Charles Bramesco
The Edge of Seventeen director Kelly Fremon Craig returns to the travails of adolescent girlhood.
by Meg Walters
The Academy Award-winning composer behind Tár and Women Talking explains how she created two of this year’s most interesting scores.
by Hannah Strong
Broker focuses on a found family of grifters with hearts of gold who set off on a road trip across South Korea with the police hot on their tail.
by Jihane Bousfiha
Starring as a concentration camp survivor attempting to rebuild her life in spite of considerable challenges, Hoss delivers a captivating and entirely convincing performance.
by Iana Murray
The veteran cinematographer on his explosive formative cinema experiences and shooting Sam Mendes’s moving drama, Empire of Light.
His comeback picture Megalopolis has been marred by high-profile snafus — not that we’d expect anything less.
by Little White Lies
Discover our punk zine homage to Laura Poitras’ extraordinary non-fiction portrait of photographer Nan Goldin.
by Anton Bitel
The horror director turns his attention to comedy and romance with his prequel version of The Munsters.
by Chris Cassingham
A new season at London’s ICA examines the contemporary social and political state of the Land of the Free.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.