by Hannah Strong
A young woman with her heart set on social media stardom gets a shot at fame when she’s offered an audition for a reality series in Agathe Riedinger’s feature debut.
by David Jenkins
The opening film of the 2024 Cannes Film Festival offers a limp metafictional critique of the modern film industry.
by Adam Marshall
On a visit to the Edo-period town of Tomonoura, Adam Marshall explores the real – and imagined – backdrop to one of Hayao Miyazaki’s most beloved films.
The Italian filmmaker on the magical mystery tour into the past that makes up her gorgeous latest, La Chimera.
by Darren Richman
In 1992 Greg Glienna released a film about a man meeting his girlfriend’s parents for the first time. Eight years later, a Ben Stiller and Robert De Niro comedy with the same premise made a fortune. What happened?
by Carly Mattox
With some insights from the people curating the perfect soundtracks, we take a look at how a relatively new role in filmmaking has become essential to creating a memorable music moment in movies.
by Ryan Finnigan
After finding unexpected catharsis in a documentary about snooker legend Ronnie O’Sullivan, Ryan Finnigan reflects on the intersection of mental health and masculinity in the world of sporting cinema.
The director of the storming after hours classic-in-the-making, Love Lies Bleeding, on the strange worlds of crime and bodybuilding.
by Cici Peng
Guest curator Cici Peng reflects on the remarkably programming on offer at the fifth edition, offering a mixture of screenings and immersive events that shift ideas of what a festival can be.
The trio at the heart of Luca Guadagnino’s racy tennis drama tell all about summer camp, short shorts, and their formative Guadagnino experiences.
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