by David Jenkins
British filmmaker/actor Alice Lowe reflects on the making of her sublime and refreshingly self-critical second feature, Timestalker.
by Tom Joudrey
Twenty years ago, Gregg Araki’s haunting indie film showed how trauma can spiral into conspiracy theories and self-sabotage. Author Scott Heim and actor Bill Sage reflect on their experiences making this cult favourite.
by Little White Lies
Our hand-picked haul of must-see titles from outside the main gala and competition strands.
by Riley Rogers
A decade after its release, David Fincher’s thrilling adaptation of Gillian Flynn’s novel about a woman scorned retains its unnerving power.
Japan’s biggest film festival returns with a line-up of 110 films for its 37th edition.
by Niamh Dunne
They look bad, they sound bad, and sometimes directors won’t even admit they’ve made a musical at all. What on earth is happening to this once lucrative genre?
by Katherine Lenahan
As Shaun of the Dead turns 20, we chart the steady decline of humour in mainstream British filmmaking.
by Casey Langton
As Saoirse Ronan stars in The Outrun, we examine how her debut as a child star has landed her a continued presence in the coming-of-age genre.
The dire lot of a low paid factory worker is the subject of this rigorous if hardly revelatory character study from debut director Laura Carreira.
Albert Serra’s extraordinary, intense portrait of toreador Andrés Roca Rey is one of the Spanish director’s finest works to date.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
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Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
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