by Charles Bramesco
Pedro Pascal plays an obsessive fan who draws the master thespian into a real-life shootout in the action-comedy.
Louis Dazy shines a light on his fascination with documenting the possibility of night-time. In partnership with Adobe Creator Collective.
by George Fenwick
VFX supervisors Peter Hjorth and Fredrik Nord discuss the ovine inspirations behind the year’s most disturbing horror.
by Hannah Strong
The actor on stepping behind the camera for her powerful and enigmatic Elena Ferrante adaptation, The Lost Daughter.
by Alicia Haddick
The late Japanese director explores the twin national disasters of 3.11 and World War Two in an epic series of films.
by Anton Bitel
Richard Benjamin’s hokey My Stepmother is an Alien is an effects-heavy time capsule of ’80s excess.
by Liz Gorny
In Jim Jarmusch’s 1991 film, a cab driver and his passenger’s identical hats capture the power and poignancy in cultural exchange.
by Sean Wilson
Composer Magazine takes a look at the elements which earn a film score a place in the history books.
The latter portrays Neville Chamberlain in this dramatisation of the 1938 Nazi appeasement in Munich.
Stefan Avalos and Lance Weiler’s 1998 horror mockumentary The Last Broadcast predates The Blair Witch Project.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.