Far from being a lean and exciting action caper, The Bourne Legacy wastes far too much time trying to justify its own existence.
Michael Clayton, the new one from director Tony Gilroy, is so grey it leaves a metallic taste in the mouth.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
