By David Jenkins
Orson Welles is some kind of a man in this grisly, ultra-melancholic border-town noir from 1958.
For his final trick, Orson Welles will deliver a fruity, funny film essay. And astonishing it is too!
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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
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