Christopher Nolan Reviews and Articles | Little White Lies

Talent Christopher Nolan

Two women, one with short blonde hair and the other with dark hair, sitting in front of a yellow wall with lightning bolt shapes.
Review

Oppenheimer review – Cillian Murphy’s finest hour

by David Jenkins

This com­bustible and relent­less­ly-paced biog­ra­phy of the ​“father of the the atom­ic bomb” is a con­tender for Christo­pher Nolan’s best film.

4
Anticipation
4
Enjoyment
5
In Retrospect
A close-up of a serious-looking man with a thick beard, wearing a suit and tie, in a dimly lit environment.
Review

Tenet

by Adam Woodward

A stop­pable force meets an infi­nite­ly mov­able object in Christo­pher Nolan’s con­tin­u­um-shat­ter­ing sci-fi thriller.

5
Anticipation
3
Enjoyment
3
In Retrospect
A man in a brown coat standing amongst sandbags in a military setting.
Review

Dunkirk

by Adam Woodward

Christo­pher Nolan’s breath­tak­ing his­tor­i­cal opus attempts to give the view­er a taste of what war actu­al­ly feels like.

5
Anticipation
5
Enjoyment
3
In Retrospect
Two people, a man and a woman, standing in a field of tall corn.
Review

Interstellar

by David Ehrlich

Christo­pher Nolan’s sci-fi epic is his most ambi­tious film yet, if not nec­es­sar­i­ly his best.

5
Anticipation
5
Enjoyment
4
In Retrospect
A man wearing a dark mask and a fur-lined coat stands in a snowy, urban environment at night.
Review

The Dark Knight Rises

by Adam Woodward

Christo­pher Nolan’s baroque opus is a wor­thy tril­o­gy clos­er, both seri­ous­ly epic and epi­cal­ly serious.

4
Anticipation
4
Enjoyment
4
In Retrospect
Two men in dark suits walking down a hotel corridor, both looking ahead with serious expressions.
Review

Inception

by Matt Bochenski

It may not be art and it cer­tain­ly isn’t truth. But Incep­tion ful­fils one of the basic tenets of cin­e­ma: it takes the breath away.

5
Anticipation
5
Enjoyment
4
In Retrospect