by David Jenkins
Catarina Vasconcelos’ hybrid documentary explores family lineage in an inventive and soulful manner.
Roger Michell’s swansong is a fittingly wholesome and heartwarming caper, an ode to Ealingesque whimsy and charm.
Channing Tatum stars and co-directs this highly pleasurable canine road movie with a few neat tricks up its sleeve.
This aimless and thin family portrait set in ’80s Paris is boosted by an affecting turn from Charlotte Gainsbourg.
The latest from French filmmaker Alain Guiraudie is an eccentric urban farce combining true love and terrorism.
Femininity, pathos, generational trauma and collective memory converge in Pedro Almodóvar’s latest masterpiece.
Romola Garai’s feature directorial debut is a haunting feminist revenge horror that upturns genre tropes and flouts convention.
We’re hitting the San Fernando Valley hard for Paul Thomas Anderson’s laid back summertime romance.
Newcomers Alana Haim and Cooper Hoffman shine in Paul Thomas Anderson’s most purely pleasurable film to date.
Steven Spielberg comes a‑cropper in this stiff and soulless revamp of the classic Leonard Bernstein barnstormer.
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