by David Jenkins
Paul Mescal doesn’t quite nail his role as a depressed young father in this emotionally furtive debut drama from Charlotte Wells.
Arnaud Desplechin’s scintillating family ensemble charts a toxic sibling rivalry, with Marion Cotillard and Melvil Poupard.
Mark Jenkin’s follow-up to 2019’s beloved Bait is the haunting tale of lonely botanist that offers audiovisual thrills a‑plenty.
Léa Seydoux plays a struggling single mother in a drama that’s not to Mia Hansen-Løve’s usual lofty standards.
Emily Watson and Paul Mescal enter into a battle of mother-son wills in this gorgeously-mounted but unoriginal Irish thriller.
Michel Hazanavicius comes up short in his underpowered remake of Shinichirou Ueda’s zom-com, One Cut of the Dead
The Argentinian enfant terrible on death, sex, his mature new film Vortex and why making TV shows isn’t worth his freedom.
Leah Purcell writes, directs and stars in this violent psychological western about a Bushwoman defending her lonesome patch.
Leila Latif slinks into the presenting hot seat of LWLies’ weekly film review podcast.
Audrey Diwan’s significant and unflinching adaptation of Annie Erneux’s memoir of a teen abortion is one of the year’s best films.
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