by David Jenkins
Mark Cousins’ analytical survey of the Hitchcock filmography draws on a strange and not entirely helpful special guest for its narration.
Fun, insidery profile doc of the creative team behind some of the most memorable album covers ever made – including Pink Floyd’s Dark Side of the Moon.
A deaf Kurdish boy belatedly discovers the simple joys of communication in Edward Lovelace’s moving and politically prescient documentary portrait.
Charming, if slight Dreamworks animated feature in which a kraken hides in plain sight as a gawky teen high-schooler in the run-up to prom.
It’s an improvement on the execrable Crystal Skull, but James Mangold’s exhumation of the Spielberg adventure serial is both tame and unnecessary.
The four time Oscar-winner talks her formative connections with Stanley Kubrick and how she’s able to fulfil Wes Anderson’s unique aesthetic visions.
The maestro returns, the patented formula tweaked to blissful perfection in this witty and deeply moving exploration of the tools that we produce to help us see beyond our everyday vision.
Dionne Edwards’ debut feature reconstructs the stereotypes of Black masculinity in a way that’s honest and unsentimental.
The extinction of the human race is on the table with this join-the-dots seventh entry to the apparently beloved fighting robot-based mega franchise.
The psychological courtroom thriller with the great Sandra Hüller wins the top prize at the Cannes Film Festival.
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