by Adam Woodward
This year’s Thessaloniki Documentary Festival will explore the origins and evolution of an internet phenomenon.
Adam Woodward reflects on the timeless appeal of George Armitage’s alt-rom-com from 1997.
One man’s soccer obsession becomes a humble plea for a better world in Corneliu Porumboiu’s riveting documentary.
Justin Kurzel’s bold reimagining of the life and crimes of Ned Kelly is a gross misfire.
The Lourdes and Amour Fou filmmaker on her unsettling English-language debut, Little Joe.
Chris Foulds, who worked on 32 lighthouses between 1971-1989, gives his thoughts on Robert Eggers’ maritime odyssey.
The screen legend on going full seadog in Robert Eggers’ paranoid fantasia, The Lighthouse.
This is not a review of Bad Boys for Life. This is a requiem for Bad Boys.
Alejandro Jodorowsky’s surrealist masterpiece is returning to cinemas next month.
The writer, director and star of Motherless Brooklyn talks New York, noir and making musical acquaintances.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.