by Adam Woodward
Emily Harris’ visually striking take on the classic Gothic novel fails to live up to its initial promise.
The documentary maker attempts to cheat death with her life-affirming latest, Dick Johnson Is Dead.
The Festival Director speak about putting together the most accessible, expansive LFF programme yet.
The story of how Rock Against Racism combatted fascism in ’70s Britain has some disturbing contemporary parallels.
On Saturday 12 September, join in celebrating independent cinemas everywhere.
A stoppable force meets an infinitely movable object in Christopher Nolan’s continuum-shattering sci-fi thriller.
Surviving the perils of solo creativity is tough. In the latest instalment of our series supporting artists through lockdown, Malin Lindholm reveals how she’s continued to feed her wanderlust and her reactive process during the pandemic.
Lucy Brydon’s debut feature explores the impact of an eating disorder on a family.
La Biennale’s 77th edition will go ahead as planned, with one of the festival’s most eclectic line-ups in years.
Surviving the perils of solo creativity is tough. In the latest instalment of our series supporting artists through lockdown, Jo Thompson explains why she’s ditching synthetics for natural products.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.