By Rich Johnson
Condemned as ‘un-American’ upon release, Fred Zinnemann’s 1954 classic remains one of the most forward-thinking films of its era.
By Rich Johnson
Samuel Fuller’s murder mystery captures the fear and paranoia which beset postwar society.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
