Park Chan-wook’s Oldboy is returning to cinemas

The South Korean master’s name-making revenge saga is getting a shiny new restoration.

Words

Charles Bramesco

@intothecrevasse

Park Chan-wook has established himself as one of Korea’s best and brightest filmmaking talents currently in the game, with a fair argument to be made for any one of his films as his best. Much more straightforward, however, would be that Oldboy holds the distinction of being the director’s most popular.

The master’s crossover hit, most notably beloved of Cannes jury president Quentin Tarantino in 2004, will soon return to cinemas in a 4K restoration courtesy of Arrow Video. That’s right, friends: it is, once again, hammer time.

A press release this morning announced that select cinemas to be determined will run the spiffy new Oldboy on 2 August, the perfect antidote to the late-summer cineplex doldrums. Better yet, the 4K version will get a home release on DVD, Blu-ray, and digital download for 26 August. Arrow will also release a three-disc “Limited Edition” Blu-ray, touted as packed with extras, though they’ve yet to be specified.

The violent, extreme saga concerns the torment of Oh Dae-su (Choi Min-sik), a man abducted and held against his will in a tacky hotel room for fifteen years. When he finally gains his freedom, his monomaniacal mission to find his captors and exact his retribution drives him only to more suffering, as most stories about revenge ultimately go.

For anyone who has yet to bear witness to Park’s legendary long-take hallway fight sequence on the silver screen, these comeback screenings represent a plum opportunity to rectify that much. Brace for body blows.

Oldboy returns to cinemas in the UK on 2 August, with a limited edition three-disc Blu-ray, DVD and 4K digital download to follow on 26 August.

Published 10 Jun 2019

Tags: Park Chan-wook

Suggested For You

Six of the best Park Chan-wook scenes

By Kambole Campbell

From Oldboy to Stoker, here are some of the South Korean director’s most memorable moments.

The vengeful woman and the changing face of Asian horror cinema

By Amandas Ong

Will this enduring trope become obsolete as we move towards a less gendered worldview?

The 20 best FrightFest films ever – part 1

By Anton Bitel

Are these the creepiest cuts from the dark heart of modern horror cinema?

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design