By Emma Fraser
From Atlanta to The Deuce and Doctor Who to Derry Girls, here are our small-screen highlights from this year.
Enter our latest creative brief inspired by this touching family drama.
By Anton Bitel
A babysitter is terrorised by an anonymous called in Fred Walton’s proto-slasher When a Stranger Calls.
The Mexican director’s early Spanish-language films offer vital dissections of the male ego.
By Lou Thomas
The director discusses tackling class and Brexit in his new film Happy New Year, Colin Burstead.
When Mick Jagger and co took the stage 50 years ago, no one imagined the show would not go on.
This pitch-black relationship comedy is one of the year’s most excruciatingly awkward – and best – viewing experiences.
By Luís Azevedo
In a new video essay, Luís Azevedo takes us on a journey through the Mexican filmmaker’s colourful worlds.
By Anton Bitel
In 1988’s Elvira: Mistress of the Dark, Cassandra Peterson’s heroine proudly display her two best assets.
By Amy Simmons
The Danish filmmaker’s visceral battle of the sexes is one of his most misunderstood – and best – works.
Filmmakers like Christopher Nolan and Alex Garland are stoking our curiosity and critical thinking, but they’re in the minority.
By Katie Goh
Dykes, Camera, Action! features first-hand accounts from Barbara Hammer and Desiree Akhavan.
By Elena Lazic
From the Sundance Kid to Jay Gatsby, here are some of the Hollywood icon’s most memorable characters.
Title designer Teddy Blanks on how The Old Man & the Gun’s font of choice reflects the actor’s legacy.
Sam Abbas hopes his debut feature The Wedding will usher in a new era of queer cinema in the region.
By Simon Bland
The writer/director reflects on the origins and legacy of his most beloved comic creation.
Throughout December, this online film festival is showcasing a treasure trove of under-the-radar features.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
