In Terence Davies’ postwar melodrama, she turns Hester Collyer into one of cinema’s great tragic heroines.
By Sam Manning
Michael Powell and Emeric Pressburger employed propaganda to potent effect in their 1941 submarine drama.
By Simon Bland
Dismissed as a self-indulgent folly upon release, this fatalistic fantasy drama deserves a second look.
By Mark Allison
In 1967, the Fab Four embarked on an extravagant, experimental journey that would redefine what a promotional film could be.
The portrait of the Grateful Dead frontman will be Scorsese's next directing gig after Killers of the Flower Moon.
Twenty-five years on, this adaptation of the classic Henry James novel offers an unflinching study of female sorrow.
Franz Rogowski and Ben Whishaw play lovers driven apart when one of them has an affair with Adèle Exarchopoulos.
By Anton Bitel
The Roger Corman-produced Dementia 13 is much more than a quickie Hitchcock ripoff, as this Director’s Cut proves.
By Anton Bitel
The director’s 2002 drama about life on a London housing estate is a film of bleak moments and occasional hope.
This made-for-TV feature has all the trademarks that would go on to define one of America’s most acclaimed filmmakers.
From Gone Girl to Atonement to Mothering Sunday, libraries have long featured in scenes about sex and sexuality.
Could this be Titane’s time to shine? Will Memoria make the cut? Or will Drive My Car cruise to victory?
Can catastrophe on Earth be avoided? Not if our world leaders have anything to say about it…
Buckle up and say a Hail Mary as we take a peek under the hood of Julia Ducournau’s visceral Palme d’Or winner.
This collection of rarely seen production stills shows the original Jets and Sharks in action.
By dredging up harmful stereotypes from the past, the film undermines its post-#MeToo feminist narrative.
The director is set to auction off never-before-seen scenes from Pulp Fiction, containing ‘secret’ content.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
