By Adam Scovell
His portrayal of wild-eyed samurai warrior in Akira Kurosawa’s adaptation of ‘Macbeth’ is simply iconic.
By Thomas Hobbs
The singer-songwriter and rising film composer reveals how she was seduced by Krzysztof Kieślowski’s doppelgänger drama.
150 movie theaters have signed up for the possibly game-changing Kino Marquee.
By Anton Bitel
Warner Bros took legal action over 1974’s Beyond the Door, but its differences from Friedkin’s film are more striking than its similarities.
By Will Webb
How South Korean cinema’s domestic boom in the late 1990s took over the world.
By Tom Williams
The director critiques society’s voyeuristic tendencies in this Hitchcock homage from 1972.
By Emma Fraser
This four-part profile of the former Presidential Candidate reveals a woman who keeps the world at arm’s length.
Director Kelly Walker explains how she came up with a novel solution to a creative problem.
Watch a film, then stick around for a cosy chat with the likes of Céline Sciamma and Mia Hansen-Løve.
Netflix has already pledged £1 million in a joint venture with BFI and The Film and TV Charity.
By Jake Cole
The Spanish master’s back catalogue is filled with pertinent messages, including a parody of social distancing.
On one hand, the comforting familiarity of a rewatch. On the other, broadened horizons.
Otto Preminger’s 1947 love triangle with a postwar twist sees the Hollywood star at her bristling best.
Some of our series for families with young children, from Bino and Fino to Dino Dan.
The director’s slow cinema musical from 1998 sees a mysterious epidemic send Taipei into lockdown.
The sleaze king of Hollywood cinema paved the way for a generation of filmmakers, evading post-Code censors with his “nudie-cuties”.
Octavia Spencer is on scintillating form in this four-part dramatisation of the life of haircare pioneer Madam CJ Walker.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
