Articles

Timothée Chalamet chows down in the first Bones and All trailer

By Charles Bramesco

He and Taylor Russell play lovestruck teen cannibals in the latest from Luca Guadagnino.

Discover this high-octane, anti-colonial Jackie Chan actioner

By Anton Bitel

Like its predecessors, 1992’s Police Story 3: Supercop offers plenty of thrills and spills – but with more political commentary.

The Eurotrash guide to Jean-Luc Godard

By Adam Woodward

The late French New Wave icon was affectionately sent up on the cult 1990s late-night show.

Reckoning with the ghoulish visual spectacle of the Queen’s funeral

By Sophie Monks Kaufman

Sophie Monks Kaufman reflects on the cinematic elements and pomp and circumstance surrounding the funeral of Queen Elizabeth II.

Answer the door, it’s the first trailer for M. Night Shyamalan’s Knock at the Cabin

By Charles Bramesco

The suspense master's latest is a horror twofer — a home-invasion film and an apocalypse film.

The enduring atmosphere of Road to Perdition

By Nick Herrmann

Two decades on from its release, Sam Mendes' mob thriller exudes a powerful sense of dread.

No one can be trusted in the first trailer for Park Chan-wook’s Decision to Leave

By Charles Bramesco

A cop investigating a murder in a wind-swept mountain town falls for the victim's widow in the Cannes prize-winner.

In Praise of Eastern Promises

By Rose Dymock

As David Cronenberg's gangster flick turns 15, it remains a refreshing depiction of London's underbelly.

Discover the radical energy of this unsettling psychodrama

By Anton Bitel

Jonathan Weiss offers an unconventional and disturbing adaptation of J.G Ballard's 'unadaptable' work of experimental fiction.

Films to last a lifetime – RIP Jean-Luc Godard

By David Jenkins

In memory of one of cinema’s most formidable and pathfinding talents, who has died at the age of 91.

Be a mensch and take a look at the first Armageddon Time trailer, would you?

By Charles Bramesco

Anne Hathaway, Anthony Hopkins, and Jeremy Strong guide one boy's coming-of-age in James Gray's latest.

Saddle up for Walter Hill’s return to the Western in the Dead for a Dollar trailer

By Charles Bramesco

Willem Dafoe and Christoph Waltz cross paths in pursuit of a wayward woman with designs of her own.

The autistic ciphers of Jane Campion

By Lexie Corbett

In the complex, full-formed characters of Jane Campion's cinema, I found connections with my own recent autism diagnosis.

The romantic listlessness of Paul Thomas Anderson’s The Master

By Jeremy Arblaster

As this Thomas Pynchon-inspired drama turns 10, its portrayal of post-war malaise still has an undeniable allure.

The art of partying, as depicted by teen movies

By Sammi Gale

As Bodies Bodies Bodies hits cinemas, it's time for a tour of the best (and worst) teen house parties on screen.

LWLies 95: The Decision to Leave issue – Out now!

By Little White Lies

Dive in to the deceptively tranquil waters of Park Chan-wook’s sensational, genre-splicing detective yarn.

Blackbird, bad movies and the appeal of egosploitation cinema

By Sean McGeady

Michael Flatley's spy thriller is the latest in a grand tradition of vanity projects which are memorable for all the wrong reasons.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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