He and Taylor Russell play lovestruck teen cannibals in the latest from Luca Guadagnino.
By Anton Bitel
Like its predecessors, 1992’s Police Story 3: Supercop offers plenty of thrills and spills – but with more political commentary.
The late French New Wave icon was affectionately sent up on the cult 1990s late-night show.
Sophie Monks Kaufman reflects on the cinematic elements and pomp and circumstance surrounding the funeral of Queen Elizabeth II.
The suspense master's latest is a horror twofer — a home-invasion film and an apocalypse film.
Two decades on from its release, Sam Mendes' mob thriller exudes a powerful sense of dread.
A cop investigating a murder in a wind-swept mountain town falls for the victim's widow in the Cannes prize-winner.
By Rose Dymock
As David Cronenberg's gangster flick turns 15, it remains a refreshing depiction of London's underbelly.
By Anton Bitel
Jonathan Weiss offers an unconventional and disturbing adaptation of J.G Ballard's 'unadaptable' work of experimental fiction.
In memory of one of cinema’s most formidable and pathfinding talents, who has died at the age of 91.
Anne Hathaway, Anthony Hopkins, and Jeremy Strong guide one boy's coming-of-age in James Gray's latest.
Willem Dafoe and Christoph Waltz cross paths in pursuit of a wayward woman with designs of her own.
In the complex, full-formed characters of Jane Campion's cinema, I found connections with my own recent autism diagnosis.
As this Thomas Pynchon-inspired drama turns 10, its portrayal of post-war malaise still has an undeniable allure.
By Sammi Gale
As Bodies Bodies Bodies hits cinemas, it's time for a tour of the best (and worst) teen house parties on screen.
Dive in to the deceptively tranquil waters of Park Chan-wook’s sensational, genre-splicing detective yarn.
By Sean McGeady
Michael Flatley's spy thriller is the latest in a grand tradition of vanity projects which are memorable for all the wrong reasons.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
