The Jungle Book is the melancholy coda to Jon… | Little White Lies

The Jun­gle Book is the melan­choly coda to Jon Favreau’s Chef

12 Apr 2016

Words by Phil W Bayles

Two adults and a child stand together. The adults wear casual clothing - a black shirt and a teal dress. The child wears a white shirt. The adults have brown hair and the woman has a long, wavy hairstyle.
Two adults and a child stand together. The adults wear casual clothing - a black shirt and a teal dress. The child wears a white shirt. The adults have brown hair and the woman has a long, wavy hairstyle.
The director’s recent col­lab­o­ra­tion with Dis­ney pro­vides a bit­ter­sweet tang to his sto­ry of a tal­ent­ed cook.

It may have seemed like a sweet lit­tle film about a man mak­ing toasties on a road trip across Amer­i­ca, but 2014’s Chef was actu­al­ly a care­ful­ly pre­pared metaphor for direc­tor Jon Favreau’s career at that point. If that movie was a self-con­tained meal, then Favreau’s upcom­ing adap­ta­tion of The Jun­gle Book’ is the lit­tle tray of mints that come with the bill.

If the fact that he was mar­ried to Sofia Ver­gara and had sex with with Scar­lett Johann­son wasn’t a sub­tle enough hint, pro­tag­o­nist Carl Casper is a stand-in for Favreau him­self. The film opens with Casper work­ing in an LA kitchen where he whips up curi­ous crowd pleasers – such as an egg stuffed with caviar – that leave him cold. He longs to flex his cre­ative mus­cles, but the restaurant’s own­er (Dustin Hoff­man) insists that he give the peo­ple what they want: If you bought tick­ets to see the Stones and they didn’t per­form Sat­is­fac­tion’, you’d burn the place down.”

Enraged by a scathing review from an influ­en­tial food crit­ic (Oliv­er Platt), Casper decides he’s had enough. Admit­ted­ly Favreau nev­er had a pub­lic melt­down, but after Iron Man 2 and Cow­boys & Aliens it’s easy to see how he might have want­ed a change of pace.

Casper decides to go back to basics, sell­ing Cuban sand­wich­es out of a food truck, and the gam­ble pays off – not only does the sim­ple food make him far hap­pi­er, but the peo­ple love it. He even gets bankrolled by the crit­ic who pre­vi­ous­ly scorned him, and giv­en the reas­sur­ance that he’ll have the free­dom to cook his ass off”.

So it goes in real life. At the same time as Chef was being warm­ly received by crit­ics, Favreau start­ed work on The Jun­gle Book. Though the bud­get he was giv­en hasn’t been dis­closed, he was encour­aged by Dis­ney to embrace the lat­est CG ren­der­ing and motion cap­ture tech­nolo­gies in order to bring the sto­ry to life – to direct his ass off, you could say.

The restau­rant Casper finds him­self in charge of is vibrant and burst­ing with pos­si­bil­i­ties, as is The Jun­gle Book. But there’s a bit­ter­sweet coda at play here: in retak­ing his place at the grown ups’ table, Favreau – like Casper – risks shack­ling him­self to a dif­fer­ent routine.

If The Jun­gle Book is a suc­cess – and there’s every rea­son to believe it will be – Favreau will like­ly find him­self inun­dat­ed with offers of sim­i­lar work from Dis­ney and oth­er stu­dios. And he’d be well with­in his rights to take them. But what hap­pens if his work fails to find favour with audi­ences, or when he sim­ply doesn’t want to play Sat­is­fac­tion’ any­more? Sud­den­ly, the end of Chef doesn’t feel like the con­clu­sion of a nar­ra­tive as much as it does the clos­ing of a loop.

The prob­lem with palate clean­ers is that they’re a tem­po­rary fix. A few months spent mak­ing Cubano sand­wich­es does a world of good for the soul, but soon­er or lat­er the taste of those caviar eggs will start to lose its allure once again.

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