The curious rise of the authorised football… | Little White Lies

The curi­ous rise of the autho­rised foot­ball biography

23 Jun 2016

Words by Victoria Luxford

Young man lounging on sofa, reading football magazine, CRT TV showing sports match in background.
Young man lounging on sofa, reading football magazine, CRT TV showing sports match in background.
Doc­u­men­taries like Becom­ing Zla­tan are the new must-have acces­so­ry for celebri­ty foot­baller every­where, but do they cap­ture why we love them?

The Euro­pean Cham­pi­onships are in full swing, which nor­mal­ly means a slow peri­od for most cin­e­mas. But fans of both film and foot­ball will be able to indulge these twin pas­sions simul­ta­ne­ous­ly time this week, thanks to the new doc­u­men­tary Becom­ing Zla­tan. It tells the inside sto­ry of the ear­ly years of one of world football’s most excit­ing but abra­sive tal­ents, Zla­tan Ibrahi­movic. The mer­cu­r­ial Swede is the lat­est foot­baller to autho­rise a doc­u­men­tary about him­self while still play­ing, but are these films a deep explo­ration of a life most of us can only dream of, or just anoth­er mar­ket­ing tool used to spin myth from a mod­ern sports icon, no dif­fer­ent, say, to stat­ues out­side sta­di­ums or per­son­alised boots?

To its cred­it, Becom­ing Zla­tan cel­e­brates its subject’s skill while being hon­est about his rep­u­ta­tion. Ibrahi­movic him­self at one point admits, I can be a pain in the ass,” a point echoed by numer­ous for­mer col­leagues and oppo­nents. It’s an unusu­al­ly frank excep­tion among sim­i­lar­ly pitched doc­u­men­taries released in recent years. A curi­ous mix of tra­di­tion­al doc­u­men­tary and the­atri­cal re-enact­ment, 2014’s Mes­si attempts to under­stand what makes the super­star Argen­tine strik­er tick. Made with Lionel Messi’s approval, but with­out his involve­ment, this biog­ra­phy only tru­ly suc­ceeds in explor­ing his great­ness. Not entire­ly futile, giv­en these dis­cus­sions come from the likes of Johan Cruyff and oth­er Barcelona greats. Yet, frus­trat­ing­ly, it unearths very lit­tle about the man behind the legend.

Of course, reveal­ing too much off the field was pre­cise­ly the prob­lem of anoth­er mod­ern great. The cur­rent foot­balling gen­er­a­tion will prob­a­bly be best remem­bered for the with­drawn Mes­si and grand­stand­ing Cris­tiano Ronal­do vying for records, titles and glob­al adu­la­tion. Released less than a year after Mes­si (draw from that what you will), the Por­tuguese Real Madrid star invites cam­eras into every cor­ner of his glitzy life in the eco­nom­i­cal­ly titled Ronal­do – a ven­ture as con­trived and trans­par­ent as a bad real­i­ty TV show. In many ways the for­mat is fit­ting giv­en the over-con­fi­dent demeanour of its star sub­ject, but it’s a lit­tle dis­ap­point­ing that it ulti­mate­ly tells us noth­ing more than it’s good to be Cristiano’.

It’s clear that, espe­cial­ly in the present cli­mate, a seri­ous exam­i­na­tion of the per­son­al­i­ties at the top of the sport is, at the very least, prob­lem­at­ic. Almost a decade before either of the above films, artists Dou­glas Gor­don and Phillipe Par­rero tried to cap­ture a great play­er on the pitch in Zidane: A 21st Cen­tu­ry Por­trait. The film fol­lows French play­mak­er Zine­dine Zidane dur­ing a match at the tail-end of his career with Real Madrid. The results were… dif­fer­ent. Maybe it was the match, maybe it was the fact that he was past his prime, but this com­par­a­tive­ly exper­i­men­tal look at a mod­ern foot­ball failed to con­vey the true genius of the man.

Even doc­u­men­taries about long-retired play­ers often strug­gle to hit the tar­get (see the well-inten­tioned but heav­i­ly edit­ed Gas­coigne, from 2015). Per­haps doc­u­men­taries and foot­ball will nev­er make com­fort­able bed­fel­lows. At its finest it is a sport built on blind devo­tion and raw pas­sion – it’s no coin­ci­dence that a com­mon crit­i­cism of doc­u­men­taries about sport­ing icons is that they don’t cap­ture what these men and women mean to their respec­tive pro­fes­sions. For the very best in the game, per­haps the purest dra­ma is des­tined to be played out on the pitch.

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