A team talk with the cast of Everybody Wants… | Little White Lies

A team talk with the cast of Every­body Wants Some!!

05 May 2016

Words by Adam Woodward

Four friends gathered, enjoying a game of table tennis. Colourful clothing, casual poses, and a retro, illustrated style create a lively, nostalgic scene.
Four friends gathered, enjoying a game of table tennis. Colourful clothing, casual poses, and a retro, illustrated style create a lively, nostalgic scene.
Four first stringers from Richard Linklater’s bril­liant new com­e­dy chat squad goals and hang­ing out on the director’s Austin ranch.

How does Richard Lin­klater do it? That’s the ques­tion we were left pon­der­ing after see­ing his high-ener­gy, ludi­crous­ly enter­tain­ing lat­est, Every­body Wants Some!!, about a bunch of base­ball play­ing col­lege stu­dents who bond over a long week­end before the start of the new semes­ter. In search of an answer, we round­ed up some of the key play­ers from the cast. Here’s how it went down.

LWLies: How much base­ball had you played pri­or to doing this film?

Blake Jen­ner (who plays Jake): I hadn’t played a day in my life, man. I played some foot­ball but I’d nev­er even touched a base­ball. Get­ting out there, I real­ly had to learn the form and learn pitch­ing and all that stuff.

Glen Pow­ell (who plays Finnegan): I grew up in Texas and base­ball is very much a part of the fab­ric of life here. But I most­ly played foot­ball and lacrosse grow­ing up.

Wyatt Rus­sell (who plays Willough­by): My whole fam­i­ly is base­ball crazy. My cousin played in the Major Leagues for 20 years, my father played for the Padres before he got injured in his ear­ly twen­ties and my grand­fa­ther is like this local base­ball guru. There were a cou­ple of guys on set who had played and knew how to do every­thing, but the prac­tice stuff was more about get­ting the vibe of being in a team rather than get­ting all the moves down.

Tyler Hoech­lin (who plays McReynolds): I played in col­lege. The base­ball stuff was obvi­ous­ly fun for us, but we also helped out the guys who hadn’t played so much. Every­one pitched in to make it work, and every­one real­ly worked hard to push each oth­er. You know, as a team you’re only as strong as your weak­est link.

GP: When it came down to us play­ing base­ball, it had to feel authen­tic. If you don’t buy into the fact that these guys are the real deal then the whole thing falls apart.

What was the rehearsal process like?

GP: We all stayed at Rick’s bunkhouse. We’d wake up and eat break­fast togeth­er, then go rehearse and do a bit of improv, then we’d take a break and play some base­ball, and final­ly we’d go back to rehears­ing. Actu­al­ly, after that we’d watch movies that Rick had rec­om­mend. It was prob­a­bly the most per­fect three weeks of my life.

TH: It was like the ulti­mate sum­mer camp. We worked hard, but at the same time we got to hang out and get to know each oth­er and play togeth­er. It was a blast. It was real­ly nec­es­sary to have us their because it’s the only way you can real­ly cre­ate that team spir­it and environment.

WR: It real­ly was sum­mer camp for adults. We’d go swim­ming in the pool and at night we’d go to the game room and play ping pong and Skee ball, then we’d go back and talk about the script. It was a very fun and loose experience.

GP: Yeah, we’d talk about life, love, fam­i­ly, friends, work… every­thing. You get to know Rick and the actors on a dif­fer­ent lev­el and so you’re so com­fort­able – both in each oth­er and with the sto­ry you’re try­ing to tell – that once you’re on set it’s smooth sailing.

BJ: It was basi­cal­ly just us guys all hang­ing out, drilling the script, kick­ing back with a cou­ple of brewskis, and just doing our home­work. Get­ting to that com­fort­able place where every­thing just felt easy.

GP: Rick’s his daugh­ter, Lorelei, wrote us a poem that she read when we were stay­ing there. It was called 12 Hunks in Bunks’.

Group of people sitting at a table in a bar, drinking beer and socialising.

What’s the biggest thing you learned work­ing on this movie?

TH: Just to be a col­lab­o­ra­tor, to real­ly trust the peo­ple you’re work­ing with. It’s a lot eas­i­er said than done. For Rick to be so gen­er­ous in shar­ing the cre­ative process is a true tes­ta­ment to his char­ac­ter and the way he works.

BJ: So much, but I think the biggest thing for me was just his process. You know, I think all of us would like to write or maybe direct one day, so to see how he does things was real­ly inspir­ing. I’m def­i­nite­ly steal­ing his rehearsal process.

WR: How to lis­ten. Not just lis­ten­ing, but active­ly lis­ten­ing to what oth­er peo­ple have to say. And also how to con­struct a cre­ative envi­ron­ment. There was pret­ty rigid guide­lines in terms of the direc­tion we were fac­ing and what we were try­ing to achieve, but inside of that we were total­ly free to do what­ev­er we wanted.

GP: Rick’s been mak­ing movies for over 20 years and I’ll tell you, that guy has not lost a bit of pas­sion. He’s just so excit­ed to meet you, to come to work every day. You’d talk to him about an idea for a scene and he’d get gid­dy about it. I think also peo­ple get burned out quick­ly by think­ing too much about the busi­ness side of things, and Rick real­ly sep­a­rates him­self from that. He doesn’t talk about awards of box office. The thing I learned was: watch great movies, talk about great movies, and make great movies.

What’s Richard Lin­klaters secret?

GP: It’s fun­ny, we talked about this a lot, about how supreme­ly aware you are of what he’s doing and how he does things. What’s the secret sauce? What it comes down to with Rick is obser­va­tion and col­lab­o­ra­tion. He’s a very qui­et, under­stat­ed kin­da guy, he lives his life observ­ing and he’s real­ly aware of the minu­ti­ae of human interaction.

TH: I’ve nev­er worked with a direc­tor who was more trust­ing an cre­ative­ly inspir­ing to every­one around him. So often you meet direc­tors who think their role is to be the one with all the answers. What Rick does is he cre­ates an envi­ron­ment that encour­ages you to con­tribute as a group. The words right and wrong real­ly don’t exist on his set – there’s one way of try­ing it and there’s anoth­er way of try­ing it.

WR: His secret is that there is no secret. It sounds stu­pid but that’s the truth. The way he gets what he gets from every­body he works with is down to his col­lab­o­ra­tive nature. It’s not like a forced thing, it’s just who he is as a per­son. He’s a very open per­son, too, and I think that’s reflect­ed in the work.

BJ: He’s just such a reg­u­lar dude. That’s the secret, real­ly. He approach­es every­thing like a true col­lab­o­ra­tor. He’s a real team play­er, and he wants every­body to put a bit of their own blood in the project.

Every­body Wants Some!! is in cin­e­mas from 13 May.

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