A new photo book sees Wes Anderson in the everyday | Little White Lies

A new pho­to book sees Wes Ander­son in the everyday

28 Oct 2020

Words by Adam Woodward

Colourful houses with palm trees, vintage mint green van parked in foreground.
Colourful houses with palm trees, vintage mint green van parked in foreground.
Wal­ly Koval shares the sto­ry of how a love for trav­el and all things Ander­son grew into a glob­al community.

It’s Wes Anderson’s world, and we’re all liv­ing in it. That’s the gist of a new book called Acci­den­tal­ly Wes Ander­son’, which takes read­ers on a visu­al tour of a colour­ful array of real-world loca­tions which bear an uncan­ny resem­blance to Anderson’s sin­gu­lar aesthetic.

Found­ed in 2017 as a sim­ple Insta­gram project, Acci­den­tal­ly Wes Ander­son has amassed a loy­al fol­low­ing of sharp-eyed loca­tion scouts who, accord­ing to founder Wal­ly Koval, have turned this into a gen­uine­ly glob­al com­mu­ni­ty. With a fore­word by Ander­son him­self, the book is a unique cel­e­bra­tion of one of the world’s most beloved film­mak­ers and a won­der­ful evo­ca­tion of rich­ness and diver­si­ty of the world itself.

I’ve been a fan of Wes Anderson’s work ever since I first saw Rush­more with my dad many years ago. I start­ed hav­ing a few oppor­tu­ni­ties to trav­el, which I was real­ly lucky to be able to do. My wife Aman­da and I had nev­er real­ly done much trav­el­ling togeth­er, and one of the first trips was made was to Argenti­na and Uruguay.

We had an amaz­ing time and from there it was like, Where else could we go?’ So I start­ed see­ing these places online that I thought resem­bled Wes Anderson’s film, and I became very inter­est­ed in what they were and what their sto­ries were. I start­ed com­pil­ing a per­son­al trav­el buck­et list, so to speak, and it real­ly just devel­oped from there.

Wooden door with "Postmaster" sign, surrounded by mural depicting landscape scenes, tiled floor in vintage-style post office.
Snowy mountains and a red wooden building labelled "Glenorchy" in a scenic alpine landscape.
Ornate pink and white building with arched windows, domed turret, and decorative architectural features.
Colourful buildings with palm trees, vintage green campervan parked in foreground.
Camel caravan in the desert, orange dunes and white-robed figures with orange flags.

We have a num­ber of our own pho­tos which are part of this book, but it’s real­ly become a com­mu­ni­ty effort. To me it’s a com­mu­ni­ty with a cap­i­tal C – it start­ed with Aman­da and me and 20 or 30 peo­ple who were fol­low­ing along, shar­ing places we had been, and it’s grown into a tru­ly glob­al trav­el club.

There’s so much to see in the world, but it’s impos­si­ble to cov­er every­thing solo, so we’re real­ly grate­ful to every­one who con­tin­ues to par­tic­i­pate. So many dif­fer­ent peo­ple have sub­mit­ted their work – we have some­thing like 180 pho­tog­ra­phers from 50 dif­fer­ent coun­tries in this book alone.

Wes’ aes­thet­ic has always appealed to me, but it’s also the sto­ries that are inter­twined. There’s a beau­ti­ful sym­me­try to his work – every­thing in its right place – but when you look at the under­ly­ing sto­ries there’s a lot more depth and nar­ra­tive lay­er­ing going on. There’s a very com­plex dynam­ic behind the per­fect facades.

That’s a use­ful anal­o­gy for pret­ty much any­thing going on in the world, espe­cial­ly the per­for­ma­tive demands of social media, the way we try to present the best ver­sion of our­selves. For this book, we tried to get a mix of real­ly beau­ti­ful sto­ries and ones which are not as beau­ti­ful; it’s the good with the bad. It’s about inves­ti­gat­ing and explor­ing a lit­tle bit fur­ther, beyond the surface.

Acci­den­tal­ly Wes Ander­son’ is pub­lished 29 Octo­ber via Trapeze. Check out @accidentallywesanderson for more.

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