A skeptical amateur wrestler finds religion in writer/director Rosalind Ross’ uninspired biopic.
Mel Gibson and Vince Vaughn play a pair of corrupt cops in S Craig Zahler’s ultraviolent latest.
This dire sequel filled with mechanically-reclaimed comedy marks a depressing low point for Will Ferrell.
Mel Gibson is back to his bruising best in this hugely entertaining throwback crime-thriller.
A cast of thousands coalesce for this jolly, bloodless third sortie by those irrepressible, elderly Expendables.
By Lewis Bazley
At its best The Beaver is deftly handed and genuinely moving but too often it’s jarring and disjointed.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
