John Hurt’s final screen performance is humorous and delicate, but isn’t enough to save this drab drama.
Director Brett Ratner’s take on Zeus’ most ripped offspring is a bumbling, dizzy-headed chore.
Lars von Trier’s latest is an exercise in claustrophobic filmmaking, rife with symbolism and an unstoppable momentum.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
