By Manuela Lazic
John Hurt’s final screen performance is humorous and delicate, but isn’t enough to save this drab drama.
By Adam Lee Davies
Director Brett Ratner’s take on Zeus’ most ripped offspring is a bumbling, dizzy-headed chore.
By David Jenkins
Lars von Trier’s latest is an exercise in claustrophobic filmmaking, rife with symbolism and an unstoppable momentum.
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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.