Reviews

The Beekeeper review – not enough bees

By Hannah Strong

David Ayer's latest action thriller is an underwhelming story about a retired secret agent who swears revenge against a tech bro scam company.

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The Disappearance of Shere Hite – a profile doc with hidden depths

By David Jenkins

The life of the idiosyncratic US sexologist is parlayed into a story of rank misogyny and violent moral conservatism.

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Poor Things review – Lanthimos at his most playful and comedic

By Savina Petkova

Emma Stone gives a career-defining performance in Yorgos Lanthimos’ opulent provocation about the human body as a nexus for pleasure and pain.

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Scala!!! review – an exhaustive and lively document of a cult scene

By David Jenkins

An affectionate new documentary celebrates one of London's most beloved cinema institutions and the patrons who made it mythological.

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One Life review – protect Anthony Hopkins at all costs

By Adam Woodward

Anthony Hopkins is sensational in James Hawes' otherwise fairly conventional biopic of Nicholas Winton, who was responsible for rescuing hundreds of Jewish children from Nazi-occupied Czechoslovakia.

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Ferrari review – Driver is fantastic, Cruz is even better

By David Jenkins

Adam Driver portrays the single-minded Enzo Ferrari in his middle-age following the death of his son Dino in Michael Mann's unconventional take on the biographical drama.

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Priscilla review – subtle and sensational

By Hannah Strong

A star is born in Sofia Coppola's biographical drama based on the relationship between Priscilla and Elvis Presley, with Cailee Spaeny delivering a remarkable performance.

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The Boy and the Heron review – poetry, philosophy, pure emotion

By Mark Asch

Less a swansong and more a heronsong from the Japanese maestro Hayao Miyazaki, a mystical and ambitious message of hope for the future.

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Raging Grace review – combines righteous anger with well-executed chills

By David Jenkins

An undocumented Filipina immigrant secures a care job to provide a better life for her young daughter, but it turns out to be something more sinister in Paris Zarcilla's horror.

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Next Goal Wins review – chillingly eager to please

By Mark Asch

Taika Waititi's feel-good comedy about the plight of a hapless Samoan football team strives for nothing more than maintaining the status quo.

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Aquaman and the Lost Kingdom review – a superhero sequel that sinks

By David Jenkins

Aggressively unmemorable return to a garish CGI Atlantis in which Jason Momoa’s sub-aqua regent wards off another potential apocalypse.

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Sweet Sue review – a strange, disjointed film

By David Jenkins

Leo Leigh’s likeable but wonky feature debut offers a meandering trawl through the doomed love life of a mature party shop owner.

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Godzilla Minus One review – Precision-tooled fun

By David Jenkins

Our atomic friend returns for a runout on the battered landscape of post-1945 Tokyo in Takashi Yamazaki’s stripped back action epic.

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Anselm review – a perfect combination of director and subject

By David Jenkins

Wim Wenders’ luxe 3D portrait of the flame-thrower wielding conceptual artist Anselm Kiefer is a dreamy delight.

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Earth Mama review – new talent arrives on the scene fully-formed

By David Jenkins

Seek out this very special debut feature from Savanah Leaf about a woman navigating the bureaucratic hell of the child services system.

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Trenque Lauquen review – compulsive and completely absorbing

By David Jenkins

One of 2023’s most astonishing films comes in the form of a two-part opus about a woman drawn to mystery that takes a few cues from Twin Peaks.

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Wonka review – Timothée Chalamet is simply sensational

By Adam Woodward

Gather round and listen close... Paul King’s dazzling prequel to Roald Dahl’s beloved story is a joyous expression of pure imagination.

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Femme review – an uninhibited, spikey portrait of revenge

By Emily Maskell

After being the victim of a violent homophobic attack, a young drag performer sees an opportunity to get revenge on one of his tormentors.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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