Spanish master Luis García Berlanga finally gets his dues

By Adam Cook

The director’s 1963 film The Executioner is getting a home video release courtesy of the Criterion Collection.

Watch the shocking trailer for Netflix’s The Ivory Game

By Little White Lies

Leonardo DiCaprio exec produces this powerful documentary about Africa’s ivory trade.

Monte Hellman and the birth of the acid western

By Taryn McCabe

Fifty years ago, The Shooting and Ride in the Whirlwind kicked off the ultimate counter-cultural genre.

Why a film about evil green goo is one of John Carpenter’s best

By Tom Watchorn

The director’s Alice Cooper-starring apocalyptic horror is among the most haunting in his entire filmography.

Brutal honesty and bruised egos in HBO’s Divorce

By Roxanne Sancto

Sharon Horgan’s brave, brilliant new show offers an authentic warts and all look at a failed marriage.

U-S-A 4EVA – An inaugural address to the Spring Break nation

By Adam Lee Davies

How might President Barack Obama’s famous speech have looked had it been co-written by a certain James Franco?

A Cure for Wellness gets a creepy, stylish first trailer

By Adam Woodward

Take a first look at Gore Verbinski’s upcoming psychological thriller.

Black Mirror ‘Nosedive’ review – A dark spin on a modern-day Pleasantville

By Roxanne Sancto

TV’s most thought-provoking social satire is back with a softer vision of a bleak future.

Charlie Brooker: ‘Once you’ve f**ked a pig on the telly, you’ve shifted the bar for what’s acceptable’

By Michael Leader

The Black Mirror writer discusses the show’s switch to Netflix, and why he loves torturing his characters.

Ken Loach is right – British film and TV has become too cosy and conservative

By Caspar Salmon

The director was correct in chastising the “fake nostalgia” of period dramas.

Things to look forward to at the American Film Festival 2016

By Matt Thrift

Jim Jarmusch’s Paterson and a Wim Wenders retrospective are among the highlights of this year’s AFF.

Why Shock Treatment is an “equal” to The Rocky Horror Picture Show

By Aimee Knight

Was creator Richard O’Brien on the money when describing his other box office flop?

Watch a sneak peek of Guardians of the Galaxy Vol. 2

By Little White Lies

The fun quotient appears to remain high in James Gunn's forthcoming comic book sequel.

Supergirl gets something Zack Snyder doesn’t – Clark Kent is the real Superman

By Dominic Preston

Kal-El’s mild-mannered alter-ego is key to understanding the character.

The New Fear – How horror cinema uncaged America’s internal monster

By Justine Smith

Justine Smith examines how movies like The House of the Devil and Lords of Salem use nostalgia to expose a fractured national identity.

Why Doctor Strange is a vital step for gender representation in Hollywood

By James Luxford

Tilda Swinton’s Ancient One looks to be Marvel’s most progressive character yet.

In praise of Persona – Ingmar Bergman’s minimalist masterpiece

By Stephen Puddicombe

Fifty years on, this low-key drama stands as a glorious shrine to analogue film.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, LWLies has been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.