By David Opie
With a long-awaited sequel on the way, we revisit the Chiodo brothers’ classic low-budget horror from 1988.
Adam Holender and Michael Childers reflect on the making of this iconic New York movie.
Daniel Clowes’ story of teenage apathy stirred in me a desire to break away and be alone.
By Lucy Brydon
With her debut feature Sick(er) taking shape, Lucy Brydon discusses the importance of trusting your gut.
Joaquin Phoenix, Jake Gyllenhaal and John C Reilly star in the French director’s Oregon oater.
By Chloe Smith
Is Donald Glover’s Lando Calrissian the latest attempt to deny LGBT audiences tangible representation?
Carey Mulligan plays a lovelorn 1960s housewife in the actor’s impressive directorial debut.
Brie Larson’s directorial debut and a special focus on American female filmmakers are among the highlights of the 72nd EIFF.
By Matt Thrift
It took the best part of a decade to bring Zama to the big screen. Its writer/director tells us about her epic journey.
The Danish writer/director promises to take us on a tour of LA’s dark criminal underbelly.
As demand for more traditional movie artwork increases, we chart the history of hand-drawn posters.
By Jamie Mackay
Paolo Sorrentino’s portrait of Silvio Berlusconi asks us to sympathise with the devil.
By Anton Bitel
David Cronenberg’s 1999 tech-thriller sees Jude Law and Jennifer Jason Leigh enter a strange VR world.
By Alex Flood
Is Indy’s fourth outing really as bad as everyone remembers?
Films about Betty Davis, Ryuichi Sakamoto and Milford Graves were among the highlights of the 15th edition of IndieLisboa.
The 2018 Cannes Film Festival saved the best for last with Nuri Bilge Ceylan's sublime literary opus.