Hearing Wes Anderson – A Lesson in Sound Design | Little White Lies

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Hear­ing Wes Ander­son – A Les­son in Sound Design

01 May 2019

Words by Luís Azevedo

Outstretched hand holding burning cigarette, shadowed against blurred crowd.
Outstretched hand holding burning cigarette, shadowed against blurred crowd.
How the direc­tor uses sound to immerse the audi­ence in his unique cin­e­mat­ic world.

Few film­mak­ers work­ing today have a sig­na­ture style as instant­ly recog­nis­able as Wes Anderson’s. From his sym­met­ri­cal fram­ing and use of the one-point per­spec­tive to his pas­tel colour palette and his use of Futu­ra, he’s cul­ti­vat­ed a visu­al lan­guage all of his own over the course of his career.

But one artis­tic process that tends to receive less atten­tion in rela­tion to Anderon’s metic­u­lous crafts­man­ship is sound design. What exact­ly does a Wes Ander­son film sound like? And, beyond his trade­mark musi­cal cues, how does the aur­al tex­ture of his sto­ry­telling help to immerse the viewer?

To find out, we asked video essay­ist Luís Azeve­do to revis­it Anderson’s fil­mog­ra­phy with a view to cre­at­ing an evoca­tive mon­tage of some of the sounds that fill his cin­e­mat­ic worlds.

Check out the video below and be sure to sub­scribe to our YouTube chan­nel for more great video essays like this.

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