Kelvin Harrison Jr Reviews and Articles | Little White Lies

Talent Kelvin Harrison Jr

Two lion cubs in a grassy field, their golden fur and expressive faces visible against a blue sky.
Review

Mufasa: The Lion King review – let down by weak script and songs

by David Jenkins

A rous­ing, noble mis­step from Bar­ry Jenk­ins, in which the paw-print of this great film­mak­er is too light to make out.

5
Anticipation
3
Enjoyment
3
In Retrospect
A man playing a violin, his eyes closed as he performs with intensity.
Review

Chevalier

by Leila Latif

Joseph Bologne receives a gor­geous biopic that also serves as a dev­as­tat­ing reminder of a great­ness near­ly entire­ly expunged from history.

4
Anticipation
4
Enjoyment
4
In Retrospect
Intense portrait of a young man with a serious expression, set against a dark green background.
Review

Monster

by Flora Spencer Grant

Kelvin Har­ri­son Jr goes on tri­al in this well-inten­tioned but melo­dra­mat­ic look at America’s racist legal system.

2
Anticipation
2
Enjoyment
2
In Retrospect
A man with a beard wearing a white shirt, sitting in a room with other people.
Review

Waves

by Hannah Strong

Writer/​director Trey Edward Shults deliv­ers anoth­er spiky inter­ro­ga­tion of par­ent-child relationships.

4
Anticipation
4
Enjoyment
4
In Retrospect
Three people sitting on chairs in a room - a man in a suit, a man in a blue jacket, and a woman in a dark outfit.
Review

Luce

by Glenn Heath Jr

Race and priv­i­lege come under the micro­scope in direc­tor Julius Onah’s thought-pro­vok­ing drama.

2
Anticipation
3
Enjoyment
3
In Retrospect
Man in police uniform looking through car windscreen.
Review

Monsters and Men

by Katherine McLaughlin

John David Wash­ing­ton is a cop strug­gling to come to terms with sys­tem­at­ic racism in Reinal­do Mar­cus Green’s debut feature.

4
Anticipation
3
Enjoyment
3
In Retrospect
Two men, one with a beard and the other shirtless, sit together in a wooded area.
Review

It Comes at Night

by Elena Lazic

This cold­ly affect­ing con­ta­gion hor­ror excels in gen­er­at­ing a sense of acute dread, but falls short on the sto­ry front.

4
Anticipation
3
Enjoyment
3
In Retrospect

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