The popularity of this and other recent series reveals something interesting about the genre’s limitations.
Season two sets us up for a deeper understanding of the show’s characters and their group dynamic.
The feature-length finale gave fans, the characters and the Wachowskis the closure they all deserved.
By Emma Fraser
References to Russian and US cinema help to make sense of the opposing ideologies of the time.
The Fleabag and Killing Eve series creator is putting complex, dangerous, relatable women on screen.
The situation hasn’t improved for Elisabeth Moss’ Offred in this gripping season opener.
By Joe Boden
David Chase’s quintessential mob series looks set to grace the big screen in 2019.
Donald Glover’s hit show returns with another steady mix of satire, dark comedy and cultural narratives.
By Anna Cafolla
Lisa McGee’s candid sitcom is a welcome antidote to the usual portrayals of Northern Ireland.
From Black America to The Ballad of Buster Scruggs, these are the small screen gems headed your way in 2018.
Charlie Brooker’s latest collection of sci-fi horrors does not disappoint.
From American Gods to GLOW, we take a look at the brightest stars to grace the small screen this year.
This episode from Season 4 offers a quietly chilling near-future vision of an over-protective society.
Studio Ghibli take their unique brand of anime magic to the small screen.
Nola Darling is reborn in this vital update of Spike Lee’s 1986 film.
As Sidney Lumet’s seminal ’70s satire makes its way to the theatre, we ask is it just a load of sound and fury?
By Ella Donald
The Netflix adaptation is characterised by the competing visions of writer Sarah Polley and director Mary Harron.