Part two of our annual preview heralds the arrival of new films from the likes of Pawel Pawlikowski, Michel Gondry and Kitty Green.
As we ring in the new year, it's time to look ahead to the cinematic riches that the next twelve months might offer us.
She plays a frustrated artist preparing for a show in Kelly Reichardt's wry, downbeat comedy.
Japanese theaters will get the anime master's latest in June.
Alexander Skarsgård and Mia Goth star in the thriller set at a resort hiding an underside of depravity.
With a theatrical run scheduled for June, a premiere at Cannes seems all but assured.
The 37-minute Le Pupille joins a group of rebellious youngsters spending the holidays at their boarding school.
The world lurches toward a postmodern end in Noah Baumbach's adaptation of Don DeLillo's essential novel.
Steven Soderbergh directs the third installment of the male-stripping saga as Mike brings his talents to London.
In the new film from Darren Aronofsky, Fraser portrays an obese recluse ready for one last chance at redemption.
The European Film Academy has unveiled the contenders for their 35th annual awards ceremony, celebrating the cream of filmmaking in Europe.
The songwriting legends behind Annette will grace the silver screen again with the mysterious X Crucior.
Swinton plays a Hogg stand-in as well as her mother in the atmospheric not-quite-horror picture.
A pop-up at One Hundred Shoreditch celebrates the world of Accidentally Wes Anderson with a very special hotel room and immersive exhibition.
Deceased at 87, he and partner Arthur Rankin reigned as kings over midcentury Yuletide nostalgia.
Fronted by Kerry Washington, Zoe Kravitz, and Rosario Dawson, the CROWN Act forbids discrimination against natural hair.
Laura Poitras' documentary chronicles Goldin's campaign of grassroots activism against the Sackler family.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
